India
theartsdesk Q&A: Indian star Radhika Apte on 'Sister Midnight'Monday, 17 March 2025
Radhika Apte has been acclaimed for her ebullient performance as a reluctant bride in Sister Midnight since director Karan Kandhari’s comic horror movie was launched at Cannes last May. Talking over Zoom from her home near Epping Forest, Apte,... Read more... |
Santosh review - powerful study of prejudice and police corruptionThursday, 20 March 2025
Held up by the censors in India though screened at Cannes and nominated for an International Oscar, Sandhya Suri’s 2024 film Santosh serves as a bookend to Payal Kapadia’s poignant All We Imagine As Light, about women in Mumbai experiencing less... Read more... |
Sister Midnight review - the runaway bridegroomThursday, 13 March 2025
Marriage is not often presented in cinema as a bowl of mangoes, but it’s rarely shown as so morbidly strange as in this reckless corker of a debut feature written and directed by Karan Kandhari, and backed by Film4.We meet the newly hitched – that... Read more... |
Album: Anoushka Shankar - Chapter III: We Return to LightTuesday, 04 March 2025
Chapter III: We Return to Light is an unashamedly gentle and soothing escape from a hectic world. The last in a travelogue triptych which has so far incorporated Anoushka Shankar’s influences from living in Europe and then California – this... Read more... |
Hylozoic/Desires: Salt Cosmologies, Somerset House and The Hedge of Halomancy, Tate Britain review - the power of white powderMonday, 03 March 2025
The railways that we built in India may be well known, but I bet you’ve never heard of the Customs Line, a hedge that stretched 2,500 miles across the subcontinent all the way from the River Indus to the border between Madras and Bengal – the... Read more... |
Celtic Connections: Orchestral Qawwali Project, GRIT Orchestra review - two concerts showcasing the cross-genre power of an orchestraTuesday, 21 January 2025
Once again, Glasgow’s annual winter festival of traditional music from all parts of the world is formed of an astonishingly packed programme of music, dance, trails and poetry in venues throughout the city. This year’s opening weekend saw two... Read more... |
Nocturnes review - the sounds of the rainforest transport you a remote region of the HimalayasMonday, 09 December 2024
If you suffer from lepidopterophobia, this film will either cure your fear of moths or push you over the edge. Warning: the screen is often filled with moths of every shape, size, colour and pattern while the sound of flapping, fluttering and... Read more... |
Merchant Ivory review - fascinating documentary about the director and producer's long partnershipSaturday, 07 December 2024
“Shoot, Jim, shooot!” Simon Callow does a fine impression of producer Ismail Merchant desperately trying to get director James Ivory to bring urgency to the proceedings.The received wisdom was that Ismael thought Jim was going to bankrupt Merchant... Read more... |
theartsdesk Q&A: filmmaker Payal Kapadia on 'All We Imagine as Light'Friday, 06 December 2024
Payal Kapadia’s lyrical fiction feature debut All We Imagine as Light, which received the Grand Prix at Cannes in May, is now accruing end-of-year prizes. This week, the New York Film Critics Circle and the voters for the Gotham Awards (which... Read more... |
Album: Panelia - Nothing and All At OnceMonday, 02 December 2024
Nothing and All at Once is the debut album from New Delhi electronica producer Jay Pei in his Panelia guise. Featuring a broad but seamless tapestry of electronica, beats and breaks, often with widescreen cinematic vibes, it veers from driving... Read more... |
All We Imagine as Light review - tender portrait of three women struggling to survive in modern MumbaiThursday, 28 November 2024
The Indian writer-director Payal Kapadia scored this year’s Cannes Grand Prix with her first fiction film, All We Imagine as Light, which follows three women trying to make a living in modern Mumbai. It’s a deserving winner, both exquisitely... Read more... |
Akram Khan, GIGENIS, Sadler’s Wells review - now 50, Khan returns to his rootsSaturday, 23 November 2024
London-born Akram Khan has come a long way in a 35-year career. He performed as a young teen in Peter Brook’s production of The Mahabharata, then progressed to dance training first in kathak then in contemporary dance. He then created his own... Read more... |
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