fri 24/10/2025

Mark Sheerin

Articles By Mark Sheerin

Folkestone Triennial 2025 - landscape, seascape, art lovers' escape

Read more...

Bradford City of Culture 2025 review - new magic conjured from past glories

Read more...

Echoes: Stone Circles, Community and Heritage, Stonehenge Visitor Centre review - young photographers explore ancient resonances

Read more...

Laura Aldridge / Andrew Sim, Jupiter Artland, Edinburgh review - lightness and joy

Read more...

Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review - era-defining artist portraits

Read more...

Jane Harris: Ellipse, Frac Nouvelle-Aquitaine MÉCA, Bordeaux review - ovals to the fore

Read more...

Carey Young: Appearance, Modern Art Oxford review - in the eyes of the law

Read more...

Earth Spells: Witches of the Anthropocene, RAMM, Exeter review - this local exhibition deserves a national audience

Read more...

In the Air, Wellcome Collection review - art in an emergency

Read more...

'Of course art doesn't change the world': Situationist artist Jacqueline de Jong on violence, eroticism and the importance of humour

Read more...

Karla Black, Fruitmarket, Edinburgh review - airy free-for-all

Read more...

Fetes and Kermesses in the Time of the Brueghels, Musée de Flandre review - all the fun of the fair

Read more...

10 Questions for Musician Soumik Datta

Read more...

diep~haven 2018 review - a missed connection?

Read more...

David Shrigley/Brett Goodroad, Brighton Festival review - showcases puncturing the medium's pretence

Read more...

Selma Parlour: Upright Animal, Pi Artworks review - incandescent colours

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...

Springsteen: Deliver Me From Nowhere review - the story of t...

There’s something about hauntingly performed songs written in the first person that can draw us in like nothing else. As songs from...

theartsdesk Q&A: Soft Cell

Seven years ago, Soft Cell were about to perform at a sold-out O2, a one-off event they entitled, after 16 years apart, One Night, One Final Time...

Little Brother, Soho Theatre review - light, bright but emot...

Niall is unwell. Very unwell. Very, very. There’s a lot going on in his head. He can’t really hold things together. Evidence? Well, he’s lost his...

Demi Lovato's ninth album, 'It's Not That Dee...

Demi Lovato is impressive on many fronts. She’s a Noughties Disney...

The Unbelievers, Royal Court Theatre - grimly compelling, po...

Change, we're often told, is the engine of drama: people end up somewhere markedly different from where they began. So the first thing to be said...

Kilsby, Parkes, Sinfonia of London, Wilson, Barbican review...

It was guaranteed: string masterpieces by Vaughan Williams, Britten and Elgar would be played and conducted at the very highest level by John...

The Maids, Donmar Warehouse review - vibrant cast lost in a...

Jean Genet’s 1947 play has been quite a clothes-horse over the years, at times a glamorous confection dressed by designers, and...