wed 14/05/2025

Mark Sheerin

Articles By Mark Sheerin

Echoes: Stone Circles, Community and Heritage, Stonehenge Visitor Centre review - young photographers explore ancient resonances

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Laura Aldridge / Andrew Sim, Jupiter Artland, Edinburgh review - lightness and joy

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Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review - era-defining artist portraits

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Jane Harris: Ellipse, Frac Nouvelle-Aquitaine MÉCA, Bordeaux review - ovals to the fore

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Carey Young: Appearance, Modern Art Oxford review - in the eyes of the law

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Earth Spells: Witches of the Anthropocene, RAMM, Exeter review - this local exhibition deserves a national audience

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In the Air, Wellcome Collection review - art in an emergency

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'Of course art doesn't change the world': Situationist artist Jacqueline de Jong on violence, eroticism and the importance of humour

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Karla Black, Fruitmarket, Edinburgh review - airy free-for-all

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Fetes and Kermesses in the Time of the Brueghels, Musée de Flandre review - all the fun of the fair

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10 Questions for Musician Soumik Datta

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diep~haven 2018 review - a missed connection?

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David Shrigley/Brett Goodroad, Brighton Festival review - showcases puncturing the medium's pretence

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Selma Parlour: Upright Animal, Pi Artworks review - incandescent colours

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theartsdesk in Antwerp: Richard Deacon says nothing

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Visual art at Brighton Festival - disturbing, playful, but ultimately rudderless

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

House of Games, Hampstead Theatre review - adapted Mamet scr...

There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...

Karim Said, Leighton House review - adventures from Byrd to...

William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very...

Album: MØ - Plæygirl

Danish singer MØ is a paradox. Initially she appeared to be another Scandi electro-pop princess of the bangers. The monster 2015 hit “Lean On”...

Stile Antico, Wigmore Hall review - a glorious birthday cele...

There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...

PUP, SWG3, Glasgow review - controlled chaos from Canadian p...

According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...

Zoe Lyons, Touring - midlife, without the crisis

Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...

The Last Musician of Auschwitz review - a haunting testament...

“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring...

Giulio Cesare, The English Concert, Bicket, Barbican review...

Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...

Hallé, Elder, Bridgewater Hall, Manchester review - premiere...

Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...