Mark Sheerin
Articles By Mark Sheerin
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Balanchine: Three Signature Works, Royal Ballet review - exu...
Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the tireless dancer...
Connolly, BBC Philharmonic, Paterson, Bridgewater Hall, Manc...
The BBC Philharmonic took its Saturday night audience on a journey into French sonic luxuriance – in reverse order of historical formation,...
This City is Ours, BBC One review - civil war rocks family c...
The dramatic allure of families neck-deep in organised crime never seems to falter, and Stephen Butchard’s new series continues that great...
Tales of Apollo and Hercules, London Handel Festival review...
Over the last three years of the London Handel Festival, two experimental productions have...
Album: Erlend Apneseth - Song Over Støv
A pizzicato violin opens Song Over Støv. Gradually, other instruments arrive: bowed violin, a fluttering flute, pattering percussion, an...
Music Reissues Weekly: Yeah Man, It's Bloody Heavy
The sticker on the front cover says “The heaviest proto-metal compilation ever released.” And considering the label behind Yeah Man,...
Album: Bryan Ferry and Amelia Barratt - Loose Talk
On the spoken word LP Loose Talk, Amelia Barratt reflects on her or other...
Biss, National Symphony Orchestra, Kuokman, NCH Dublin revie...
On paper, it was a standard programme with no stars to explain how this came to be a sellout concert. But packed it was, an audience of all ages...
Alfred Hitchcock Presents: The Musical, Theatre Royal Bath r...
In Italy, they did it differently. Their pulp fiction tales of suburban transgression appeared between yellow covers on new stands...