Harry Thorfinn-George

Articles By Harry Thorfinn-George

Caroline, Islington Assembly Hall review - south London octet mesmerises Friday, 06 June 2025 Read more...	Mongrel review - deeply empathetic filmmaking from Taiwan Saturday, 24 May 2025 Read more...
Albums of the Year 2024: Chihei Hatakeyama & Shun Ishiwaka - Magnificent Little Dudes Vol. 1 Monday, 06 January 2025 Read more...	Nosferatu review - Lily-Rose Depp stands out in uneven horror remake Tuesday, 24 December 2024 Read more...
theartsdesk Q&A: Anna Bogutskaya on her new book about the past decade of horror cinema Tuesday, 22 October 2024 Read more...	Smile 2 review - worthy follow up to runaway hit Saturday, 19 October 2024 Read more...
Strange Darling review - love really hurts Friday, 20 September 2024 Read more...	Red Rooms review - the darkest of webs Tuesday, 10 September 2024 Read more...
In a Violent Nature review - inverted slasher is fascinating Sunday, 21 July 2024 Read more...	Longlegs review - like its titular killer, this summer's most hyped horror film leaves no trace Saturday, 13 July 2024 Read more...
The Moor review - Yorkshire chiller is ambitious but muddled Saturday, 15 June 2024 Read more...	DVD/Blu-Ray: Priscilla Tuesday, 23 April 2024 Read more...
Album: Fabiana Palladino - Fabiana Palladino Sunday, 07 April 2024 Read more...	Late Night With the Devil review - indie-horror punches above its weight Monday, 25 March 2024 Read more...
Immaculate review - grisly convent horror is timely but flawed Saturday, 23 March 2024 Read more...	Albums of the Year 2023: Jim Legxacy - HNPM Saturday, 30 December 2023 Read more...

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F1: The Movie review - Brad Pitt rolls back the years as mav...

As producer Jerry Bruckheimer cautioned a preview audience, “Remember, this is not a documentary. It’s a movie.” Bruckheimer teamed up with...

Album: Bruce Springsteen – Tracks II: The Lost Albums

It’s somewhat surprising to read that The Boss wasn’t happy with the Born in the USA. After all, it was – remains – his most iconic...

Brad Mehldau Trio, St George's Bristol review - exquisi...

There's something luminous about the Brad Mehldau Trio. The music they create with such joy shines with a special clarity, in which ever-changing...

Dangerous Matter, RNCM, Manchester review - opera meets scie...

Opera can take many forms and fulfil many purposes: this chamber opera by Zakiya Leeming and Sam Redway is about vaccination. Based on history, it...

Ian Leslie: John and Paul - A Love Story in Songs review - h...

Do we need any more Beatles books? The answer is: that’s the wrong question. What we need is more Beatles books that are worth reading. As the...

Album: BC Camplight - A Sober Conversation

A Sober Conversation is the work of a master songwriter, one who knows how to achieve their goals. As the album’s nine tracks pour from...

Schubertiade 3 at the Ragged Music Festival, Mile End review...

Aldeburgh offered strong competition for the three evenings of Schubert at the discreetly restored Ragged School Museum, but I knew I had to...

Showmanism, Hampstead Theatre review - lip-synced investigat...

I think my problem is that when I should have been listening in school assemblies or RE lessons, I had the Tom Tom Club’s joyous “...

Immersive Night Music Show, Makita, Londinium Ensemble, Worl...

To mark this year’s summer solstice, a small audience gathered at London’s newest concert venue, the World Heart Beat Embassy Gardens, a small and...