thu 01/12/2022

New Music Features

Glastonbury Festival: Live at Worthy Farm livestream review - glitched access upstages beautifully shot live footage

Caspar Gomez

INTERLUDE 1: INVALID CODE-AGEDDON

6.45 PM on Saturday 22nd May and all is well. Like tens of thousands of others across the UK (or maybe even more?) my wall flatscreen is tuned to Glastonbury’s livestream. Prior to the event itself promos for Water Aid and the like roll by, the kind usually on the huge screens beside the Pyramid Stage at the festival.

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Music books to end lockdown: Sam Lee, Hawkwind, Dylan, Richard Thompson, and the Electric Muses

Tim Cumming

It won’t be long now before concert halls and back rooms, arts centres and festival grounds fill with people again, and live music, undistanced, unmasked, and in your face, comes back to us.

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First Person: composer and Renaissance man Tunde Jegede on transcending genres

Tunde Jegede

In this era when there is so much talk and discussion around crossing musical boundaries, diversity in music and inter-disciplinary work it seems strange that there is still so little knowledge of how, why and when it works. Ironically, much of this type of work and collaborative process is much older than we often think and give credit to.

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The Master Musicians of Joujouka review - a 4000 year-old rock'n'roll band

mark Kidel

The Master Musicians of Joujouka, described by William Burroughs as a “4000 year-old rock’n’roll band”, and recorded by Brian Jones of the Rolling Stones in the late 1960s, have always been something of a cult – even in their own land.

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theartsdesk Q&A: Daryl Hall

Owen Richards

Writing something people want to stream one billion times is inconceivable for most of us. But then, most of us aren't Rock and Roll Hall of Famer Daryl Hall.

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Britney Spears (1998-present): The Video Special

Thomas H Green

Interest in Britney Spears has not waned.

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Disc of the Day 10th Anniversary: the level playing field

joe Muggs

Theartsdesk is a labour of love. Bloody-mindedly run as a co-operative of journalists from the beginning, our obsession with maintaining a daily-updated platform for good culture writing has caused a good few grey and lost hairs over the years. But it has also been rewarding – and looking back over the 10 years of Disc of the Day reviews has been a good chance to remind ourselves of that. 

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Reviewing music off-piste: reflections on working beyond the comfort zone

mark Kidel

Writing for theartsdesk offers a freedom that I‘ve never experienced before. Encouraged by the much-missed Sue Steward and by Peter Culshaw, two of the website's founders, I started by writing solely about music – something I've done since I was a student. But very soon, I was covering theatre in Bristol, where I lived at the time, and I occasionally wrote about the visual arts, and then the cinema.

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First Person: Paul Bullock on making BBC Young Jazz Musician 2020

Paul Bullock

Producing music programmes for TV with live performance during the past few months has not been without its challenges, but somehow doing so right now feels more important than ever – both for the pleasure it brings audiences and as support for the performing arts. 

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Singer-songwriter Mary Chapin Carpenter: 'I wanted to do something. I wanted to be useful in some way'

Liz Thomson

Music has never been more important than in these dark, dislocating and death-stalked days, fear and grief visiting us in ways once unimaginable. The lack of live music – the lack even of the possibility of live music in the near future – is an absence keenly felt. However much we love to listen in the isolation of our own headphones, nothing can ever replace the communal concert event.

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