New Music Features
Glastonbury Festival: Live at Worthy Farm livestream review - glitched access upstages beautifully shot live footageTuesday, 25 May 2021
INTERLUDE 1: INVALID CODE-AGEDDON 6.45 PM on Saturday 22nd May and all is well. Like tens of thousands of others across the UK (or maybe even more?) my wall flatscreen is tuned to Glastonbury’s livestream. Prior to the event itself promos for Water Aid and the like roll by, the kind usually on the huge screens beside the Pyramid Stage at the festival. Read more... |
Music books to end lockdown: Sam Lee, Hawkwind, Dylan, Richard Thompson, and the Electric MusesFriday, 14 May 2021
It won’t be long now before concert halls and back rooms, arts centres and festival grounds fill with people again, and live music, undistanced, unmasked, and in your face, comes back to us. Read more... |
First Person: composer and Renaissance man Tunde Jegede on transcending genresWednesday, 28 April 2021
In this era when there is so much talk and discussion around crossing musical boundaries, diversity in music and inter-disciplinary work it seems strange that there is still so little knowledge of how, why and when it works. Ironically, much of this type of work and collaborative process is much older than we often think and give credit to. Read more... |
The Master Musicians of Joujouka review - a 4000 year-old rock'n'roll bandThursday, 15 April 2021
The Master Musicians of Joujouka, described by William Burroughs as a “4000 year-old rock’n’roll band”, and recorded by Brian Jones of the Rolling Stones in the late 1960s, have always been something of a cult – even in their own land. Read more... |
theartsdesk Q&A: Daryl HallMonday, 08 March 2021
Writing something people want to stream one billion times is inconceivable for most of us. But then, most of us aren't Rock and Roll Hall of Famer Daryl Hall. Read more... |
Britney Spears (1998-present): The Video SpecialMonday, 22 February 2021
Interest in Britney Spears has not waned. Read more... |
Disc of the Day 10th Anniversary: the level playing fieldFriday, 19 February 2021
Theartsdesk is a labour of love. Bloody-mindedly run as a co-operative of journalists from the beginning, our obsession with maintaining a daily-updated platform for good culture writing has caused a good few grey and lost hairs over the years. But it has also been rewarding – and looking back over the 10 years of Disc of the Day reviews has been a good chance to remind ourselves of that. Read more... |
Reviewing music off-piste: reflections on working beyond the comfort zoneWednesday, 17 February 2021
Writing for theartsdesk offers a freedom that I‘ve never experienced before. Encouraged by the much-missed Sue Steward and by Peter Culshaw, two of the website's founders, I started by writing solely about music – something I've done since I was a student. But very soon, I was covering theatre in Bristol, where I lived at the time, and I occasionally wrote about the visual arts, and then the cinema. Read more... |
First Person: Paul Bullock on making BBC Young Jazz Musician 2020Saturday, 21 November 2020
Producing music programmes for TV with live performance during the past few months has not been without its challenges, but somehow doing so right now feels more important than ever – both for the pleasure it brings audiences and as support for the performing arts. Read more... |
Singer-songwriter Mary Chapin Carpenter: 'I wanted to do something. I wanted to be useful in some way'Tuesday, 08 September 2020
Music has never been more important than in these dark, dislocating and death-stalked days, fear and grief visiting us in ways once unimaginable. The lack of live music – the lack even of the possibility of live music in the near future – is an absence keenly felt. However much we love to listen in the isolation of our own headphones, nothing can ever replace the communal concert event. Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
All the Happy Things, Soho Theatre review - deep feelings, b...
The mind is its own place, and in itself can make a heaven of hell, a hell of heaven. Or words to that effect. This quote from Milton’s ...
The Forsythe Programme, English National Ballet review - bra...
It’s hard to think of anyone even half as persistent as William Forsythe in changing the conversation around ballet. The American...
Manic Street Preachers, Barrowland, Glasgow review - elder s...
As you might expect from a Manic Street Preachers gig, literary influences were never far away. A DH Lawrence quote was prominently displayed on...
DVD/Blu-ray: In a Year of 13 Moons
A longshot of transgender Elvira (Volker Spengler) circled by gay men, assignation turning to assault as dawn mist rises from Frankfurt’s Main...
Your Friends & Neighbors, Apple TV+ review - in every dr...
It had begun to seem that Jon Hamm, whatever other roles he might appear in, was destined to be forever remembered exclusively as Mad Men...
Goldberg Variations, Ólafsson, Wigmore Hall review - Bach in...
Víkingur Ólafsson had something to prove at the Wigmore Hall. And prove it he did, even if, this time, his Goldberg Variations left a few features...
Shanghai Dolls, Kiln Theatre review - fascinating slice of h...
The writer Amy Ng has made a sterling effort in digging up the true story behind her new play at the Kiln, Shanghai Dolls, but...
Mahler's Ninth, BBC Philharmonic, Gamzou, Bridgewater H...
There was a change of conductor from the one advertised for this BBC Philharmonic performance at the Bridgewater Hall – but the one who we heard...