sat 02/03/2024

New Music Features

Decade Zero, Dave Maric, Phronesis, Engines Orchestra - preview

Matthew Wright

Decade Zero is a new commission from acclaimed contemporary classical composer Dave Maric, receiving its world premiere this weekend at the Cheltenham Jazz Festival.

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French Touch, Red Gallery

Kieron Tyler

Un Voyage Á Travers Dans Le Paysage Électronique Français, the French subtitle, goes further. French Touch is the first exhibition to celebrate and dig into France’s electronic music heritage: exploring the lineage which laid the ground for the world-wide success of Daft Punk.

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Listed: How I Do Love Thee

theartsdesk

Love is in the air. Today, men and women and boys and girls will be pondering how to say it with roses and cards and candlelit dinners: those three words that contain multitudes. As the old strip cartoon never quite got round to saying, love is... the human condition, which is why a good quantity of the culture we review on this site has to do with it. To help you get into the mood for romancing, we have asked our...

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theartsdesk in Reykjavík: Iceland Airwaves 2016

Kieron Tyler

On the final night of Iceland Airwaves 2016, Polly Jean Harvey and her band are ranged in a line just inside the edge of the stage constructed inside Valshöllin, a sports hall south of Reykjavík’s city centre. The festival’s five days have climaxed with a diamond-hard performance drawing heavily on this year’s Hope Six Demolition Project album.

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Leonard Cohen: Turning the Darkness Into Beauty

mark Kidel

Leonard Cohen, who has died at 82, was one of those artists born with a wisdom and maturity that cut deep into the baby-boomer youth culture of his times. He provided the perfect antidote to the innocent optimism of the 1960s, a vision shot through with world-weariness, melancholy and humour.  Those who dismissed him as a purveyor of bed-sit self pity missed the point, hooked as they were on hedonism, and blind to the ever-present horrors and recurring tragedy of the world.

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Half a century of the Roundhouse

Marcus Davey

We've got a lot to celebrate in 2016: 50 years since the Roundhouse became an arts centre and 10 years of transforming young lives through creativity. In celebration of this momentous year we embarked on a journey of discovery to uncover the stories from train-enthusiast accounts of our humble beginnings to real-life high-wire love stories, from week-long raves in the 1990s to politically-charged spoken word in the 2000s.

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theartsdesk Q&A: Musician Agnes Obel

Kieron Tyler

Agnes Obel’s new album Citizen of Glass is released next week. Conceptually underpinned by a fascination with the German idea of the gläserner menschen or gläserner bürger – the glass citizen – its ten compositions examine privacy, the nature of what is hidden, why it is concealed and question how much self-exposure is needed, whether in day-to-day life or as fuel for an artist. The glass citizen is one for whom everything is apparent.

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On the road with Bob Dylan: the mother of all rockumentaries

mark Kidel

Dont Look Back is the Ur-rockumentary, the template for hundreds of hand-held rock tour films, a source of inspiration as well as a model to aspire to.

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First Person: Nico Muhly on music for two pianos

Nico Muhly

Writing for two pianos is something that – until last year – I had not attempted. I was contacted by Katya Apekisheva and Charles Owen, two pianists who have performed as a duo for many years, asking me to compose a duet for them to perform at the inaugural London Piano Festival. I met Charles back in 2014 when he performed my pieces A Hudson Cycle and Fast Stuff in New York.

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10 Questions for Pianist Morten Schantz

Matthew Wright

Pianist Morten Schantz has been a prominent and pioneering figure on first the Danish, then international jazz and fusion scene for more than a decade. With saxophonist Marius Neset and drummer Anton Eger, also members of his new trio, he founded ground-breaking quintet JazzKamikaze in 2005, playing an exhilarating fusion of jazz, rock, funk and hip hop.

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