peter quinn
Bio
Peter has written on classical music and jazz for Tempo, Jazzwise, The Times Literary Supplement, BBC Music Magazine and International Record Review, among others. His performing experience runs the gamut from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.
Articles By Peter Quinn
latest in today
Album: Eminem - Music To Be Murdered By Side B
Becoming a has-been is Eminem’s main raw material now, the...
76 Days review - disturbing record of the initial outbreak o...
It is probable that no other document gets closer to the direct experience of frontline workers and victims of...
Silenced: The Hidden Story of Disabled Britain, BBC Two revi...
What a television programme gets called is not always the choice of the people making it, but it certainly is the choice of its broadcaster. In...
Olivia Sudjic: Asylum Road review - trauma, barely suppresse...
In Asylum Road, Olivia Sudjic's third book,...
Album: Cerys Matthews, Hidden Orchestra & 10 Poets - We...
In such a somnolent time We Come From The Sun is an awakening – the immediacy and presence of...
Servant, Apple TV+ review - shocks, shivers and black humour...
The oeuvre of M Night Shyalaman has...
Raven Leilani: Luster - portrait of the artist as a black mi...
One of the finer episodes in Raven Leilani’s startling debut (...
Apartment House, Wigmore Hall online review - introspective...
Another year, another lockdown. Though I have little...
Finding Alice, ITV review - thriller, comedy or melodrama?
Or, What The Durrells Did Next. Writer ...