peter quinn
Bio
Peter has written on music for BBC Music Magazine, International Record Review, Jazzwise, Songlines, Tempo, The i and The Times Literary Supplement. His performing experience ranges from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.
Articles By Peter Quinn
latest in today
The Band Back Together, Arcola Theatre review - three is a d...
We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice - but is that the person or the...
Music Reissues Weekly: Sean Buckley & The Breadcrumbs
Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...
The Critic review - beware the acid-tipped pen
The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...
Van Gogh: Poets & Lovers, National Gallery review - pass...
Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...
Kim's Convenience, Riverside Studios review - KC and th...
One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy...
The Real Ones, Bush Theatre review - engrossing, enjoyable a...
Platonic love should be simple – basically you’re best mates. And without the complications of sex, what could go wrong? Waleed...
Prom 71, Seong-Jin Cho review - refined Romantic journeys
Out of emergencies may come revelations. Sir András Schiff has broken his leg, and we wish him a super-speedy recovery. At the Proms, his promised...
Frang, LSO, Pappano, Barbican review - a concerto performanc...
Hauntings, memories, echoes: Antonio Pappano has started his official tenure as chief conductor of the London Symphony Orchestra by looking back...
The Perfect Couple, Netflix review - an inconvenient death r...
Based on the novel by Elin Hilderbrand, The Perfect...