peter quinn
Bio
Peter has written on classical music and jazz for Tempo, Jazzwise, The Times Literary Supplement, BBC Music Magazine and International Record Review, among others. His performing experience runs the gamut from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.
Articles By Peter Quinn
latest in today
Game of Thrones, Sky Atlantic, Series 8 Finale review – who...
WARNING - CONTAINS SPOILERS! And so it’s over. Eight years of thrilling, fantastical, often emotionally devastating, in some senses ground-...
Anish Kapoor, Lisson Gallery review - naïve vulgarity and ot...
There's children screaming in a nearby playground. Their voices rise and fall, swell and drop. Interspersed silences fill with the sound of...
Sting and Shaggy, Roundhouse review - wilfully uncool and ir...
Musical odd couples don't come much stranger than Sting and Shaggy. Last night, at the...
La Damnation de Faust, Glyndebourne review – bleak and compe...
Mid-career, moving ever further away from composing for concert platform and church towards the stage,...
Gentleman Jack, BBC One review - the revolutionary life of A...
In 2010, Maxine Peake starred in The Secret Diaries of Miss Anne Lister, but this new...
Cannes 2019: Too Old to Die Young - nightmarish LA noir
This year, Cannes has been adamantly defending traditional...
Rokia Traoré: Dream Mandé: Bamanan Djourou, Brighton Festiva...
Much of Rokia Traoré’s set on Saturday night comprised folk songs about...
What We Do In the Shadows, BBC Two review - black comedy vam...
This is a toothsome treat for Sunday nights and one of those rare occasions when the...
Last Stop Coney Island review - the life and photography of...
This is a real passion project; British filmmaker...
Al Murray as the Pub Landlord, Embassy Theatre Skegness revi...
Al Murray's Pub Landlord character has been around since the mid-1990s. As such, it's a wonder that Murray has managed to reinvent the embittered...