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peter quinn

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Bio
Peter has written on music for BBC Music Magazine, International Record Review, Jazzwise, Songlines, Tempo, The i and The Times Literary Supplement. His performing experience ranges from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.

Articles By Peter Quinn

Album: Kokoroko - Tuff Times Never Last

Monday, 14 July 2025 Read more...

Louis Cole, Roundhouse review - nothing is everything

Saturday, 10 May 2025 Read more...

Albums of the Year 2024: Samara Joy - Portrait

Saturday, 21 December 2024 Read more...

Album: Tomorrow X Together - The Star Chapter: Sanctuary

Monday, 11 November 2024 Read more...

Album: Meshell Ndegeocello - No More Water: The Gospel of James Baldwin

Saturday, 27 July 2024 Read more...

Album: Sarah Jane Morris - The Sisterhood

Saturday, 09 March 2024 Read more...

Albums of the Year 2023: Scott Dunn with Claire Martin and the RPO - I Watch You Sleep

Saturday, 23 December 2023 Read more...

Nikki Iles featuring the NDR Bigband, EFG London Jazz Festival, Cadogan Hall review - boundless artistry in harmony

Wednesday, 22 November 2023 Read more...

Christine Tobin, EFG London Jazz Festival, World Heart Beat review - an enchanting ode to home

Saturday, 18 November 2023 Read more...

Korea On Stage, OVO Arena Wembley review - a symphony of lights, beats and empowerment

Friday, 10 November 2023 Read more...

Album: Nils Petter Molvær - Certainty of Tides

Thursday, 05 October 2023 Read more...

Album: Meshell Ndegeocello - The Omnichord Real Book

Monday, 12 June 2023 Read more...

Album: Laila Biali - Your Requests

Saturday, 29 April 2023 Read more...

Callum Au and Claire Martin, Cadogan Hall review - 'Songs and Stories' live at last

Tuesday, 24 January 2023 Read more...

Albums of the Year 2022: Lizz Wright - Holding Space

Saturday, 24 December 2022 Read more...

Album: Gabriels - Angels & Queens, Part I

Saturday, 24 September 2022 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Good Night, Oscar, Barbican review - sad story of a Hollywoo...

Back in the day, when America’s late-night chat show hosts and their guests sat happily smoking as they shot the breeze for a growing...

Edinburgh Fringe 2025 reviews - Rob Auton / Saaniya Abbas

Rob Auton Assembly Roxy ★★★...

BBC Proms: Láng, Cser, Budapest Festival Orchestra, Ivan Fis...

“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both...

Wilderness Festival 2025 review - seriously delirious escapi...

Wilderness is the kind of festival where you can overhear a conversation about the philosophical implications of rewilding whilst queuing...

Album: Ethel Cain - Willoughby Tucker, I'll Always Love...

This is a weird one: I do try and stay on top of pop culture, but for several years, Ethel Cain completely passed me by. You’d think I would have...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...