mon 18/11/2019

peter quinn

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Bio
Peter has written on classical music and jazz for Tempo, Jazzwise, The Times Literary Supplement, BBC Music Magazine and International Record Review, among others. His performing experience runs the gamut from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.

Articles By Peter Quinn

Jazz Voice, Royal Festival Hall - engulfing beauty and hidden gems

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CD: Harry Connick Jr - True Love: A Celebration of Cole Porter

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Soweto Kinch, Jazz Cafe review - instant karma in Camden

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CD: Jamie Cullum - Taller

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Claire Martin, Ronnie Scott’s - swinging hard in Soho

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Jazz FM Awards 2019 - young guard triumphs

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Albums of the Year 2018: William Parker - Voices Fall From The Sky

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Jazzmeia Horn, EFG London Jazz Festival 2018 review - searching for the unexpected

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Orphy Robinson’s Astral Weeks, London Jazz Festival 2018 review - reimagining a masterpiece

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CD: Bansangu Orchestra - Bansangu Orchestra

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Jazz FM Awards 2018 - a banner year for Ezra Collective

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CD: Owen Broder - Heritage

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CD: Snowpoet - Thought You Knew

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theartsdesk Q&A: Vocalist Cécile McLorin Salvant

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Albums of the Year 2017: Cécile McLorin Salvant - Dreams and Daggers

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Robert Glasper, Barbican review - emotional fellowship and creative interconnections

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latest in today

Herbie Hancock, Barbican EFG London Jazz Festival review – t...

When it comes to the true jazz legends capable of filling concert...

The Crown, Series 3, Netflix review - if you want binge TV,...

Although it conforms to a realistic chronology of events, this third season of Peter Morgan’s remarkable voyage around the House of...

Stray Dogs, Park Theatre review – no fire in this historic e...

How do you begin to dramatise one of the most extraordinary conversations of the 20th century between two of its most charismatic and complex...

O/Modernt Soloists, Sonoro Ensemble, Wimbledon International...

If you're going to run a music festival with flair, it's...

The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles...

Ted Gioia: Music: A Subversive History review – an informati...

People who derive comfort from Classic FM’s strapline that European classical music is “The World's Greatest Music" are going to have a major...

Reissue CDs Weekly: The Clash - London Calling

In a first for this column, what’s cropping up is a cassette...

Jazz Voice, Royal Festival Hall - engulfing beauty and hidde...

Jazz Voice unfailingly supplies a gigantic sugar-rush of auditory pleasure, and this year’s edition was no exception. Arranged, scored and...

Orphée, English National Opera review – through a screen dar...

Like almost everything that it touches these days, English National Opera’s autumn season of shows rooted in the Orpheus myth has enjoyed a fairly...

'By the end I’d lost me': Joe Simpson, mountaineer...

In Peru in 1985, Joe Simpson - then 25 - and his 21-year-old climbing partner Simon Yates were descending the remote Siula Grande, which was hard...