wed 02/07/2025

peter quinn

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Bio
Peter has written on music for BBC Music Magazine, International Record Review, Jazzwise, Songlines, Tempo, The i and The Times Literary Supplement. His performing experience ranges from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.

Articles By Peter Quinn

Louis Cole, Roundhouse review - nothing is everything

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Albums of the Year 2024: Samara Joy - Portrait

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Album: Tomorrow X Together - The Star Chapter: Sanctuary

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Album: Meshell Ndegeocello - No More Water: The Gospel of James Baldwin

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Album: Sarah Jane Morris - The Sisterhood

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Albums of the Year 2023: Scott Dunn with Claire Martin and the RPO - I Watch You Sleep

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Nikki Iles featuring the NDR Bigband, EFG London Jazz Festival, Cadogan Hall review - boundless artistry in harmony

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Christine Tobin, EFG London Jazz Festival, World Heart Beat review - an enchanting ode to home

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Korea On Stage, OVO Arena Wembley review - a symphony of lights, beats and empowerment

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Album: Nils Petter Molvær - Certainty of Tides

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Album: Meshell Ndegeocello - The Omnichord Real Book

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Album: Laila Biali - Your Requests

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Callum Au and Claire Martin, Cadogan Hall review - 'Songs and Stories' live at last

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Albums of the Year 2022: Lizz Wright - Holding Space

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Album: Gabriels - Angels & Queens, Part I

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2022 Parliamentary Jazz Awards: baubles, bromides and birthdays

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Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...