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peter quinn

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Bio
Peter has written on music for BBC Music Magazine, International Record Review, Jazzwise, Songlines, Tempo, The i and The Times Literary Supplement. His performing experience ranges from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.

Articles By Peter Quinn

Album: Kokoroko - Tuff Times Never Last

Monday, 14 July 2025 Read more...

Louis Cole, Roundhouse review - nothing is everything

Saturday, 10 May 2025 Read more...

Albums of the Year 2024: Samara Joy - Portrait

Saturday, 21 December 2024 Read more...

Album: Tomorrow X Together - The Star Chapter: Sanctuary

Monday, 11 November 2024 Read more...

Album: Meshell Ndegeocello - No More Water: The Gospel of James Baldwin

Saturday, 27 July 2024 Read more...

Album: Sarah Jane Morris - The Sisterhood

Saturday, 09 March 2024 Read more...

Albums of the Year 2023: Scott Dunn with Claire Martin and the RPO - I Watch You Sleep

Saturday, 23 December 2023 Read more...

Nikki Iles featuring the NDR Bigband, EFG London Jazz Festival, Cadogan Hall review - boundless artistry in harmony

Wednesday, 22 November 2023 Read more...

Christine Tobin, EFG London Jazz Festival, World Heart Beat review - an enchanting ode to home

Saturday, 18 November 2023 Read more...

Korea On Stage, OVO Arena Wembley review - a symphony of lights, beats and empowerment

Friday, 10 November 2023 Read more...

Album: Nils Petter Molvær - Certainty of Tides

Thursday, 05 October 2023 Read more...

Album: Meshell Ndegeocello - The Omnichord Real Book

Monday, 12 June 2023 Read more...

Album: Laila Biali - Your Requests

Saturday, 29 April 2023 Read more...

Callum Au and Claire Martin, Cadogan Hall review - 'Songs and Stories' live at last

Tuesday, 24 January 2023 Read more...

Albums of the Year 2022: Lizz Wright - Holding Space

Saturday, 24 December 2022 Read more...

Album: Gabriels - Angels & Queens, Part I

Saturday, 24 September 2022 Read more...

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'We are bowled over!' Thank you for your messages... ...
Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ★★★...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...