sat 25/05/2024

peter quinn

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Bio
Peter has written on music for BBC Music Magazine, International Record Review, Jazzwise, Songlines, Tempo, The i and The Times Literary Supplement. His performing experience ranges from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.

Articles By Peter Quinn

Album: Sarah Jane Morris - The Sisterhood

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Albums of the Year 2023: Scott Dunn with Claire Martin and the RPO - I Watch You Sleep

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Nikki Iles featuring the NDR Bigband, EFG London Jazz Festival, Cadogan Hall review - boundless artistry in harmony

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Christine Tobin, EFG London Jazz Festival, World Heart Beat review - an enchanting ode to home

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Korea On Stage, OVO Arena Wembley review - a symphony of lights, beats and empowerment

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Album: Nils Petter Molvær - Certainty of Tides

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Album: Meshell Ndegeocello - The Omnichord Real Book

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Album: Laila Biali - Your Requests

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Callum Au and Claire Martin, Cadogan Hall review - 'Songs and Stories' live at last

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Albums of the Year 2022: Lizz Wright - Holding Space

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Album: Gabriels - Angels & Queens, Part I

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2022 Parliamentary Jazz Awards: baubles, bromides and birthdays

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Album: James Vincent McMorrow - The Less I Knew

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Album: Cécile McLorin Salvant - Ghost Song

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Albums of the Year 2021: Eliane Elias - Mirror Mirror

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Cécile McLorin Salvant, EFG London Jazz Festival review - strength, vulnerability and humour

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latest in today

Jerry’s Girls, Menier Chocolate Factory review - just a para...

Catchy even when the lyrics are at their cheesiest, the Jerry Herman Songbook serves up a string of memorable tunes: you’ll probably find that,...

Punt and Dennis, The Marlowe, Canterbury review - satire and...

Ten years after their last tour Steve Punt and High Dennis are back on the road with We Are Not a Robot. It comes after their long-...

Album: Jihye Lee Orchestra - Infinite Connections

Brooklyn-based composer and bandleader Jihye Lee’s story really does take quite some telling. Having been an indie pop singer in her native...

Furiosa: A Mad Max Saga review - just as mad without Max

In the way of Batman being overshadowed by his villains, in his last outing, Mad Max: Fury Road, the erstwhile hero of George Miller...

The Beach Boys, Disney+ review - heroes and villains and goo...

It was – let’s see – 63 years ago today that Brian Wilson taught the band to play. Fabled for their resplendent harmonies and ecstatic hymning of...

Album: Twenty One Pilots - Clancy

If there is one positive of the past decade, it must be the growing openness with...

Richard III, Shakespeare's Globe review - Michelle Terr...

There’s a fierce, dark energy to the Globe’s new Richard III that I don’t recall at that venue for a fair while. The drilled cast dances...

Kolesnikov, Wigmore Hall review - celestial navigation throu...

Like his baggy white suit, pitched somewhere between Liberace and Colonel Sanders, Pavel Kolesnikov’s playing was spotless at the...

Between Riverside and Crazy, Hampstead Theatre review - race...

It’s often said that contemporary American playwrights are too polite, too afraid of giving offence. But this accusation can’t be levelled at...