fri 01/12/2023

peter quinn

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Bio
Peter has written on music for BBC Music Magazine, International Record Review, Jazzwise, Songlines, Tempo, The i and The Times Literary Supplement. His performing experience ranges from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.

Articles By Peter Quinn

Nikki Iles featuring the NDR Bigband, EFG London Jazz Festival, Cadogan Hall review - boundless artistry in harmony

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Christine Tobin, EFG London Jazz Festival, World Heart Beat review - an enchanting ode to home

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Korea On Stage, OVO Arena Wembley review - a symphony of lights, beats and empowerment

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Album: Nils Petter Molvær - Certainty of Tides

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Album: Meshell Ndegeocello - The Omnichord Real Book

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Album: Laila Biali - Your Requests

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Callum Au and Claire Martin, Cadogan Hall review - 'Songs and Stories' live at last

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Albums of the Year 2022: Lizz Wright - Holding Space

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Album: Gabriels - Angels & Queens, Part I

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2022 Parliamentary Jazz Awards: baubles, bromides and birthdays

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Album: James Vincent McMorrow - The Less I Knew

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Album: Cécile McLorin Salvant - Ghost Song

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Albums of the Year 2021: Eliane Elias - Mirror Mirror

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Cécile McLorin Salvant, EFG London Jazz Festival review - strength, vulnerability and humour

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Jazz Voice, EFG London Jazz Festival review - from intimate delicacy to stunning virtuosity

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Album: Golden Child - Game Changer

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latest in today

Macbeth, The Depot, Liverpool review - Ralph Fiennes leads a...

Next door to the beautiful Art Deco Littlewoods Pools Building, nearly 30 years standing derelict, a set of grey sheds stand, a seat of...

Peter Pan Goes Wrong, Lyric Theatre review - adult panto del...

Mischief Theatre set themselves a big challenge when they evolved their brand of knowing slapstick. And not just about how to destroy...

Queendom review - an LGBTQ+ performance artist takes to the...

It takes a brave or a foolhardy person to walk the streets wearing almost nothing but barbed wire and platform shoes, especially when the occasion...

Album: Ghost Woman - Hindsight Is 50/50

Ghost Woman’s 2022 self-titled album and this January’s swift follow-up Anne, If were both fairly laidback and spaced out affairs, with...

The House of Bernarda Alba, Lyttleton Theatre review - dazzl...

Rebecca Frecknall opened 2023 with a youthful, visceral, and brutal Streetcar Named Desire at The Almeida; she ends it with...

Album: Trevor Horn - Echoes: Ancient & Modern

A deathless trend in pop is taking great songs, slowing them down, doing orchestral versions, or rendering them raw acoustic. This, ostensibly,...

Odyssey: A Heroic Pantomime, Charles Court Opera, Jermyn Str...

This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and...

Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - cham...

Frank Bridge’s Phantasie Piano Quartet was astutely described by his student Benjamin Britten as “Brahms tempered with Fauré”, so it made...

Album: Peter Gabriel - I/O

Some 28 years in gestation, Peter Gabriel’s eighth studio album of wholly original songs – his first since 2002’s Up...

A Christmas Carol, The Old Vic review - older, wiser, and ye...

Familiarity has bred something quite fantastic with the Old Vic Christmas Carol, which is back for a seventh season and merits ringing...