fri 18/10/2019

peter quinn

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Bio
Peter has written on classical music and jazz for Tempo, Jazzwise, The Times Literary Supplement, BBC Music Magazine and International Record Review, among others. His performing experience runs the gamut from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.

Articles By Peter Quinn

latest in today

The deathless Alicia Alonso, in person

The magnificent, controversial Cuban ballerina Alicia Alonso, who asserted that she would live to 200, died yesterday in Havana, aged nearly 99....

Giri/Haji, BBC Two review - inspired Anglo-Japanese thriller...

Well here’s an interesting one. We’ve been up to our eyebrows in Eurocops for the past few years, but this Anglo-Japanese fusion from...

[Blank], Donmar Warehouse review - strong but dispiriting

Clean Break, the theatre company that specialises in working with women in the criminal justice system, is doing a lot of celebrating. It's the...

Non-Fiction - adultery spices up digitisation drama

It isn’t provable whether adultery is more accepted in French ...

Ehnes, Hallé, Gabel, Bridgewater Hall, Manchester review - h...

Changes from the artists originally advertised can bring some happy discoveries....

CD: Allah-Las - LAHS

It’s unfortunate that LAHS’s opening track is titled “Holding Pattern” as the album only achieves lift off with its ninth cut “Light...

Zombieland: Double Tap review - dead dull redo

Another unnecessary sequel: we’re used to this sort of thing. The film knows it, too, as lead dork Columbus (Jesse Eisenberg) meekly thanks the...

The Struts, O2 Forum Kentish Town review - a masterclass in...

Having exploded on to the scene like a cross between Queen and My Chemical Romance, Derby’s young glam-...

Dariescu, Moscow Philharmonic Orchestra, Simonov, Symphony H...

It remains some of the most terrifying music ever written....