sat 19/10/2019

peter quinn

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Bio
Peter has written on classical music and jazz for Tempo, Jazzwise, The Times Literary Supplement, BBC Music Magazine and International Record Review, among others. His performing experience runs the gamut from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.

Articles By Peter Quinn

latest in today

Spiral, Series 7, BBC Four review - hard-hitting return of o...

And welcome back to our favourite French cop show – perhaps our favourite...

The Mask of Orpheus, English National Opera review - amorpho...

Advance publicity overstated the case for The Mask of Orpheus. "Iconic"? Only to academics and acolytes, for British audiences haven't...

Maleficent: Mistress of Evil review - fantasy follow-up fall...

Angelina Jolie is back again with those cut-glass cheekbones and...

Don Pasquale, Royal Opera review - fun and frolics in stylis...

Venetian director Damiano Michieletto’s new...

Glennie, Lubbe, Ticciati, O/Modernt, Kings Place review - a...

Some of the greatest pieces of the string orchestra repertoire are based on pre-existing pieces: the fantasias by Tippett and Vaughan Williams, on...

CD: PJ Harvey - All About Eve (Original Music)

PJ Harvey is not just a consummate rock musician but a multi-...

The deathless Alicia Alonso, in person

The magnificent, controversial Cuban ballerina Alicia Alonso, who asserted that she would live to 200, died yesterday in Havana, aged nearly 99....

Giri/Haji, BBC Two review - inspired Anglo-Japanese thriller...

Well here’s an interesting one. We’ve been up to our eyebrows in Eurocops for the past few years, but this Anglo-Japanese fusion from...

[Blank], Donmar Warehouse review - strong but dispiriting

Clean Break, the theatre company that specialises in working with women in the criminal justice system, is doing a lot of celebrating. It's the...