Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Snowpoet - Thought You Knew

The London group's restrained melodicism packs an intense depth of feeling

share this article

A beautiful statement of the heart: Snowpoet

While some albums cram in more fillers than a Christmas stocking, Thought You Knew, the second recording from the London-based group led by the 2016 Jazz FM Vocalist of the Year Lauren Kinsella and multi-instrumentalist Chris Hyson, is all about restraint and depth of feeling.

“The Therapist” ushers you gently into the album’s delicate sound-world, underpinned by guitarist Nick Costley-White’s rippling chordal work. “Under the Tree” acts like an instrumental postscript – a dancing, minimalist contrapuntal web which skilfully interweaves layers of percussion, acoustic guitar and sumptuous synth washes.

“Water Baby” begins with icy string tremolandos courtesy of violinist Alice Zawadzki and cellist Francesca Ter-Berg before settling into a gentle cradle song rhythm. Pre-recorded sounds of birds, snippets of speech and someone taking a walk call to mind John Cage’s Roaratorio, an Irish circus on Finnegans Wake.

With a larger textural palette and slightly harder edge, “Love Again” features seraphic layered vocals from Kinsella and some great, in-the-pocket playing by Hyson, Costley-White, pianist Matthew Robinson, drummer Dave Hamblett and saxist Josh Arcoleo.Two contrasting covers form the album’s centrepiece, the a cappella delight of Gillian Welch’s “Dear Someone” followed by Emiliana Torrini’s doleful, string-laden “Snow”.

In terms of telling detail, the album reaches its acme with “Pixel”, in which a constant vibration between major and minor is finally resolved in a pristine, glowing C major, while the stream-of-consciousness “It’s Already Better Than OK” contains a nod to Samuel Beckett’s Worstward Ho (“I’m constantly failing but I’m failing better”) and, by its very title, a poignant look back to the final line of the album opener (“I spoke to myself and I told her it’s going to be OK”).

An album that evokes memory, loss, hope and more, and one that never fails to leave its alluring melodic mark, Thought You Knew is a beautiful statement of the heart.

@MrPeterQuinn

Overleaf: Watch a clip of ‘The Therapist’

In 'Pixel', a constant vibration between major and minor is finally resolved in a pristine, glowing C major

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Four personal recollections of an extraordinary cultural presence
Geese's set was greeted by an adulation it mostly deserved.
The South Coast’s king of indie cool goes solo
On the eve of the release of the new Soul Revivers album, a roots reggae expert goes deep
Fourth album from singer-guitarist contains old-fashioned rock songs and ire-fuelled vim
A compilation made up of new tracks, fan favourites and remasters
No alcohol, but music, fun and transformation in leafy Berkshire
US prog metalheads regroup after the departure of Brent Hinds