thu 22/08/2019

peter quinn

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Bio
Peter has written on classical music and jazz for Tempo, Jazzwise, The Times Literary Supplement, BBC Music Magazine and International Record Review, among others. His performing experience runs the gamut from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.

Articles By Peter Quinn

latest in today

Edinburgh International Festival 2019: Breaking the Waves, S...

Love him or hate him, Lars von Trier has time and again made the unpalatable and the improbable real and shatteringly moving in a succession of...

Bauhaus 100, BBC Four review - a well-made film about the ma...

The Bauhaus school and its subsequent influence make an extraordinary story, and this...

Eels, Hammersmith Apollo review – dark, swampy and endlessly...

"Would you mind if I jammed on my new... castanets?" We’re halfway through Eels’ triumphant set at Hammersmith's...

CD: Sleater-Kinney - The Center Won't Hold

This album’s title began as a reaction to fractiousness under...

Pain and Glory review - masterful meditation on age and art

The Almodovar who made his name as an all-out provocateur in the 80s considers that wild art’s becalmed far side...

The Doctor, Almeida Theatre review - Robert Icke's long...

After six years, associate director Robert Icke bids farewell to the...

CD: Gard Nilssen Acoustic Unity - To Whom Buys a Record

To Whom Buys a Record roams through 12 crisply recorded pieces confirming that...

Heartbreak Holiday, BBC One review - can it match up to Love...

The BBC’s version of Love Island has familiar ingredients: ten 20-somethings, many with pale manicures and hair extensions, on an island...