thu 30/06/2022

peter quinn

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Bio
Peter has written on classical music and jazz for Tempo, Jazzwise, The Times Literary Supplement, BBC Music Magazine and International Record Review, among others. His performing experience runs the gamut from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.

Articles By Peter Quinn

Cleveland Watkiss 60th birthday celebration, Queen Elizabeth Hall review - seismic pulse, emotive words

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Jazz Voice, Royal Festival Hall - engulfing beauty and hidden gems

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CD: Harry Connick Jr - True Love: A Celebration of Cole Porter

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Soweto Kinch, Jazz Cafe review - instant karma in Camden

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CD: Jamie Cullum - Taller

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Claire Martin, Ronnie Scott’s - swinging hard in Soho

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Jazz FM Awards 2019 - young guard triumphs

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Albums of the Year 2018: William Parker - Voices Fall From The Sky

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Jazzmeia Horn, EFG London Jazz Festival 2018 review - searching for the unexpected

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Orphy Robinson’s Astral Weeks, London Jazz Festival 2018 review - reimagining a masterpiece

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CD: Bansangu Orchestra - Bansangu Orchestra

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Jazz FM Awards 2018 - a banner year for Ezra Collective

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CD: Owen Broder - Heritage

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CD: Snowpoet - Thought You Knew

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theartsdesk Q&A: Vocalist Cécile McLorin Salvant

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Albums of the Year 2017: Cécile McLorin Salvant - Dreams and Daggers

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latest in today

Glastonbury Festival 2022: an unexpurgated odyssey around th...

Last days of June 2022, I sit in my writing hut. My liver is radioactive jelly, my nose reinforced concrete, my leg muscles marathon-cramped, and...

Man vs Bee, Netflix review - or should it be Bee vs Bean?

Rowan Atkinson’s strange little comedy (written by Will Davies) is the story of Trevor Bingley, a rather pitiable late-middle-aged man who finds a...

Così fan tutte, Royal Opera review - vibrant youth and vocal...

Irish soprano Jennifer Davis, a stunning Elsa in this Royal Opera season's revival of Wagner’s Lohengrin, was the lure to sit through Jan...

Album: Gwenno - Tresor

“The historic, the prehistoric, the natural, architectural, geological, ornithological, or on the side of its folklore, Christian or heathen – the...

The Fellowship, Hampstead Theatre review - strong clashes, t...

I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted events which celebrated the contribution of the...

Moon, 66 Questions review - captivating daughter-father dram...

It takes some confidence for a first-time feature director to interrupt her essentially realistic...

Stanislav Aseyev: In Isolation - Dispatches from Occupied Do...

Stanislav Aseyev is a Ukrainian writer who came in from the...

We (Nous) review - a low-key look at life in the suburbs of...

Director Alice Diop read an article by Pierre Bergounioux in which he described how he began writing to draw attention to his overlooked neck of...

theartsdesk in Zurich - forging a brilliant new Ring

Could this be the summer Bayreuth finally sees a new Ring production that comes anywhere near its last great epic success, Harry Kupfer’s, which...

theartsdesk Q&A: bass-baritone Christopher Purves on com...

He’s the most haunting, at times terrifying Wozzeck I’ve seen, in Richard Jones's Welsh National Opera baked-bean-factory production, and the...