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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Festen, Royal Opera review - firing on every front
So the Royal Opera had assembled a dream cast, conductor (Edward Gardner) and director (Richard Jones). The only question until last night was...
Northern Winter Beat 2025, Aalborg review - The Courettes, D...
The exhortations don’t seem necessary as the audience is already letting off the steam which has built up in anticipation of a full-bore show....
theartsdesk Q&A: Iranian director Mohammad Rasoulof on...
Iranian director Mohammad Rasoulof is now an...
Album: Manic Street Preachers - Critical Thinking
Manic Street Preachers’ earnest and literate pretentiousness is both their Achilles Heel and their superpower. Their greatest songs are amped by...
Gilliver, Liverman, Rangwanasha, LSO, Pappano, Barbican revi...
For all its passing British sea shanties and folksongs, Vaughan Williams’ A Sea Symphony does Walt Whitman’s determinedly global-oriented...
Bowling For Soup, Civic Hall, Wolverhampton review - nostalg...
Bowling For Soup are celebrating their iconic album, A Hangover You Don’t Deserve, on a fun-filled, energetic tour for its 20th...
Philip Marsden: Under a Metal Sky review - rock and awe
Working on materials was basic to human culture from the start: chipping at flint to make a hand-axe; fashioning bone or wood; drying hides....
Blu-ray: High and Low
Akira Kurosawa’s mastery of different genres is a given and one of High and Low’s strengths is a seamless blending of various...
The Years, Harold Pinter Theatre review - a bravura, joyous...
Annie Ernaux’s semi-autobiographical book Les Années charts a woman’s life across time and space, history and memory, through...