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Goldilocks and the Three Bears, London Palladium review - jo...
When Qdos brought back pantomime to the Palladium three years ago after an absence of nearly 30 years, it set the bar high with superb production...
'In every concert, I want to try to tell a story':...
Omer Meir Wellber may be the first chief conductor of a major orchestra to have begun his tenure with a children...
CD: Josh Rouse – The Holiday Sounds of Josh Rouse
Nebraska-born singer-songwriter Josh Rouse made his name in Nashville and has spent the past 15 years living in...
A Kind of People, Royal Court review - multiculturalism fall...
The trouble with prejudice is that you can't control how other people see you. At the start of her career, playwright Gurpreet Kaur Bhatti's work...
Sons of Denmark review - political thriller stirs cauldron o...
The first feature by Copenhagen-born director...
Mark Lanegan Band, Roundhouse review - rocking reiteration o...
It’s not about spontaneity. Bar switching the order of a couple of songs at the beginning and during the encore, the set was the same as a couple...
The Duchess of Malfi, Almeida Theatre review - a radically o...
This play can be a challenge for modern audiences: a woman...
Traces, Alibi review - pedigree cast battles implausible plo...
Alibi is usually your one-stop shop for re-runs of Father Brown or Death in Paradise, so well done them for commissioning this...
How They Built the Titanic, Channel 5 review - the great lin...
The appalling fate of the allegedly unsinkable liner Titanic in 1912 has fuelled endless feature films and...