Wendy and Lucy is a road movie with a protagonist who’s unable to move on, and a study of friendship where one half of the partnership is mostly absent from the screen. Originally released during the 2008 financial crisis, Kelly Reichardt’s third feature film is ripe for reissue, its depiction of life on society’s margins more relevant than ever.

There’s a Coen brother directing, plus a cast that includes Matt Damon, Pedro Pascal, Oscar nominee Colman Domingo and Margaret Qualley, the standout hitchhiker in Once Upon a Time in Hollywood… so why does Drive-Away Dolls feel so insubstantial?

This almost forgotten, naturalistic 1976 road movie lets four young Frenchmen off the leash in a cross-country trip from Lille to Cannes.

Road movies in England work better by foot. Slowing down finds the scale to explore our small island, tramping Chaucer’s pilgrim paths, not Kerouac’s roaring highway.

The trailer for Panah Panahi’s award-winning first feature Hit the Road is one of the most misleading I’ve yet seen thanks to its jaunty Western pop soundtrack and reassuring caption that the movie resembles an Iranian Little Miss Sunshine.

Chris Petit's Radio On, his 1979 debut as writer-director, should be regarded as the first British psychogeography film.

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.

Enola Holmes ★★★★ Millie Bobby Brown gives the patriarchy what-for in a new Sherlock-related franchise

An aerial shot gliding over red-streaked buttes in the Southwestern American desert picks out a man striding across the blasted terrain some miles away. He halts and the camera comes close for a montage. We see that he is middle-aged, bony, and unshaven and wears a jacket, tie and red baseball cap.

The second half of Mark Cousins’ documentary on films by women filmmakers starts with religion; it ends with song and dance. This is a second seven-hour journey through cinema.

“Whichever way you turn, fate sticks out a foot to trip you,” Al Roberts (Tom Neal) says in Detour (1945), as if his native pessimism and self-destructive choices had nothing to do with his inexorable descent into hell.