wed 21/05/2025

Jasper Rees

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Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles By Jasper Rees

The Bridge, BBC Two, series 4 review - Scandi saga is darker than ever

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The Split, BBC One, review - Abi Morgan’s densely packed divorce drama

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The Guernsey Literary and Potato Peel Pie Society review - artery-furring whimsy

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Milos Forman: 'The less you know about yourself, the happier you are'

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Lifeline, Channel 4 review - Spanish sci-fi drama on speed

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Arcade Fire, Wembley Arena review - sensational spectacle

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Law and Order, BBC Four review - not a fair cop

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DVD: Blood and Glory

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Civilisations: First Contact, BBC Two review - David Olusoga goes for gold

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Ordeal by Innocence, BBC One, review - Agatha Christie goes nuclear

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Journeyman review - Paddy Considine wins on points

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Mum, BBC Two, series 2 finale review - the perfect way to go

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Ingrid Bergman: In Her Own Words, BBC One review - emotional nomad with a fragile gift for joy

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Crowhurst review - plucky indie wins race with rival

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Unsane review - Claire Foy in bonkers horror satire

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13 Commandments, Channel 4 review - murder most Flemish

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Code of Silence, ITVX review - inventively presented reality...

In the guided tour of Britain’s cathedral cities that is the primetime TV...

Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall r...

With French baroque opera all but banished from the UK’s major...

Album: Stereolab - Instant Holograms on Metal Film

Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...

The Fifth Step, Soho Place review - wickedly funny two-hande...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Josefowicz, LSO, Mälkki, Barbican review - two old favourite...

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

Mr Swallow: Show Pony, Richmond Theatre review - magic trick...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

The Great Escape Festival 2025, Brighton review - a feast of...

Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...