wed 21/05/2025

Jasper Rees

Jasper Rees's picture
Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles By Jasper Rees

Death and Nightingales, BBC Two, review - slow, lyrical, slightly dull

Read more...

The Girl in the Spider's Web review - Claire Foy leathers up

Read more...

WW1: The Last Tommies, BBC Four review - Great War stories

Read more...

Don Quixote rides again, and again

Read more...

The Little Drummer Girl, BBC One, review - latest Le Carré just passes audition

Read more...

Press, BBC One, series finale review - scarcely credible but highly entertaining

Read more...

Wanderlust, BBC One, series finale review - you can't have your cake and eat it

Read more...

Bodyguard, BBC One, series finale review - gripping entertainment of the highest calibre

Read more...

theartsdesk Q&A: Chas and Dave

Read more...

The Little Stranger review - the wrong sort of chills

Read more...

'You won't be able to handle this lady': remembering Fenella Fielding

Read more...

Keeping Faith, BBC One, series finale review - we need to talk about Evan

Read more...

Yardie review - Idris Elba shoots straight in his directorial debut

Read more...

Bodyguard, BBC One, episode 2 review - a wild ride to who knows where

Read more...

Neil Simon: 'I don’t think you want it really dark'

Read more...

P.E.Caquet: The Bell of Treason review - the sacrifice of Czechoslovakia

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Code of Silence, ITVX review - inventively presented reality...

In the guided tour of Britain’s cathedral cities that is the primetime TV...

Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall r...

With French baroque opera all but banished from the UK’s major...

Album: Stereolab - Instant Holograms on Metal Film

Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...

The Fifth Step, Soho Place review - wickedly funny two-hande...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Josefowicz, LSO, Mälkki, Barbican review - two old favourite...

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

Mr Swallow: Show Pony, Richmond Theatre review - magic trick...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

The Great Escape Festival 2025, Brighton review - a feast of...

Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...