thu 30/06/2022

Jasper Rees

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Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles By Jasper Rees

WW1: The Last Tommies, BBC Four review - Great War stories

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Don Quixote rides again, and again

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The Little Drummer Girl, BBC One, review - latest Le Carré just passes audition

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Press, BBC One, series finale review - scarcely credible but highly entertaining

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Wanderlust, BBC One, series finale review - you can't have your cake and eat it

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Bodyguard, BBC One, series finale review - gripping entertainment of the highest calibre

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theartsdesk Q&A: Chas and Dave

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The Little Stranger review - the wrong sort of chills

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'You won't be able to handle this lady': remembering Fenella Fielding

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Keeping Faith, BBC One, series finale review - we need to talk about Evan

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Yardie review - Idris Elba shoots straight in his directorial debut

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Bodyguard, BBC One, episode 2 review - a wild ride to who knows where

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Neil Simon: 'I don’t think you want it really dark'

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P.E.Caquet: The Bell of Treason review - the sacrifice of Czechoslovakia

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On the Edge, Channel 4, review - fast and furious new dramas

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Murder in Soho: Who Killed Freddie Mills?, BBC Four review - cold case solved?

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latest in today

Glastonbury Festival 2022: an unexpurgated odyssey around th...

Last days of June 2022, I sit in my writing hut. My liver is radioactive jelly, my nose reinforced concrete, my leg muscles marathon-cramped, and...

Man vs Bee, Netflix review - or should it be Bee vs Bean?

Rowan Atkinson’s strange little comedy (written by Will Davies) is the story of Trevor Bingley, a rather pitiable late-middle-aged man who finds a...

Così fan tutte, Royal Opera review - vibrant youth and vocal...

Irish soprano Jennifer Davis, a stunning Elsa in this Royal Opera season's revival of Wagner’s Lohengrin, was the lure to sit through Jan...

Album: Gwenno - Tresor

“The historic, the prehistoric, the natural, architectural, geological, ornithological, or on the side of its folklore, Christian or heathen – the...

The Fellowship, Hampstead Theatre review - strong clashes, t...

I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted events which celebrated the contribution of the...

Moon, 66 Questions review - captivating daughter-father dram...

It takes some confidence for a first-time feature director to interrupt her essentially realistic...

Stanislav Aseyev: In Isolation - Dispatches from Occupied Do...

Stanislav Aseyev is a Ukrainian writer who came in from the...

We (Nous) review - a low-key look at life in the suburbs of...

Director Alice Diop read an article by Pierre Bergounioux in which he described how he began writing to draw attention to his overlooked neck of...

theartsdesk in Zurich - forging a brilliant new Ring

Could this be the summer Bayreuth finally sees a new Ring production that comes anywhere near its last great epic success, Harry Kupfer’s, which...

theartsdesk Q&A: bass-baritone Christopher Purves on com...

He’s the most haunting, at times terrifying Wozzeck I’ve seen, in Richard Jones's Welsh National Opera baked-bean-factory production, and the...