sat 20/04/2024

Jasper Rees

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Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles By Jasper Rees

Douglas Henshall: 'You can get stuck when you’ve been in the business for 30 years' - interview

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I Know Who You Are, Series 2, BBC Four review - get on with it, por favor

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Queen: Rock the World, BBC Four review - we won't rock you

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Newsnight: Grenfell Tower - The 21st Floor, BBC Two review - a simple, moving reconstruction

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Harry Potter: A History of Magic, British Library review - weirdly wonderful

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David Oakes: 'I haven’t done anything as bad as my characters'

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Lucy Worsley's Nights at the Opera, BBC Two review - there's anti-elitism, and there's infantilism

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The Snowman review - Michael Fassbender can't save Harry Hole

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Russia 1917: Countdown to Revolution, BBC Two review - words stronger than pictures 100 years on

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Nile Rodgers: How to Make It in the Music Business, BBC Four review - good times had by all

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Doctor Foster, Series 2 finale, BBC One review - revenge is a dish best not served twice

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The Deuce, Sky Atlantic review - a magnificent, sleazy epic

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Bad Move, ITV review - Jack Dee resettles in the middle of the road

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Robert Harris: Munich review - reselling Hitler

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Rellik, BBC One review - tricksy procedural messes with time

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Trust Me, BBC One, series finale review - drama about fake doctor was also pretending

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London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...