thu 30/06/2022

Jasper Rees

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Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles By Jasper Rees

GLOW, Netflix review - not quite comedy or drama

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Broken, BBC One series finale review - Seán Bean's quiet immensity

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10 Questions for George Stiles and Anthony Drewe: 'we are optimistic people'

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Okja, Netflix review - joyous assault on the meat industry

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Murdered For Being Different, BBC Three review - unbearable but unmissable

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Churchill review - Winston has smallness thrust upon him

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Fearless, ITV review - Helen McCrory lights up dense conspiracy thriller

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Lord Lucan: My Husband, The Truth review - the coldest case of all

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The Shepherd review - quiet but stirring David v Goliath fable

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Paula, BBC Two review - Denise Gough's the real thing

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Three Girls, BBC One review - drama as shattering public enquiry

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King Arthur: Legend of the Sword review - Guy Ritchie's deadly weapon

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DVD/Blu-ray: La La Land

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Miss Sloane review - Jessica Chastain lobbies hard for your vote

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10 Questions for sound designer Adam Cork

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Babs review - Barbara Windsor's playful screen therapy

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latest in today

Glastonbury Festival 2022: an unexpurgated odyssey around th...

Last days of June 2022, I sit in my writing hut. My liver is radioactive jelly, my nose reinforced concrete, my leg muscles marathon-cramped, and...

Man vs Bee, Netflix review - or should it be Bee vs Bean?

Rowan Atkinson’s strange little comedy (written by Will Davies) is the story of Trevor Bingley, a rather pitiable late-middle-aged man who finds a...

Così fan tutte, Royal Opera review - vibrant youth and vocal...

Irish soprano Jennifer Davis, a stunning Elsa in this Royal Opera season's revival of Wagner’s Lohengrin, was the lure to sit through Jan...

Album: Gwenno - Tresor

“The historic, the prehistoric, the natural, architectural, geological, ornithological, or on the side of its folklore, Christian or heathen – the...

The Fellowship, Hampstead Theatre review - strong clashes, t...

I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted events which celebrated the contribution of the...

Moon, 66 Questions review - captivating daughter-father dram...

It takes some confidence for a first-time feature director to interrupt her essentially realistic...

Stanislav Aseyev: In Isolation - Dispatches from Occupied Do...

Stanislav Aseyev is a Ukrainian writer who came in from the...

We (Nous) review - a low-key look at life in the suburbs of...

Director Alice Diop read an article by Pierre Bergounioux in which he described how he began writing to draw attention to his overlooked neck of...

theartsdesk in Zurich - forging a brilliant new Ring

Could this be the summer Bayreuth finally sees a new Ring production that comes anywhere near its last great epic success, Harry Kupfer’s, which...

theartsdesk Q&A: bass-baritone Christopher Purves on com...

He’s the most haunting, at times terrifying Wozzeck I’ve seen, in Richard Jones's Welsh National Opera baked-bean-factory production, and the...