sat 29/02/2020

actors

Berlinale 2020: Never Rarely Sometimes Always review - raw and unflinching abortion drama hits home

Back in 2017, writer-director Eliza Hittman won over audiences with her beautiful coming-of-age drama Beach Rats. Her latest film, Never Rarely Sometimes Always, is a more quietly devastating drama, shifting the focus away from sexual...

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Actress Noémie Merlant: 'This is something that hasn't been told yet'

Lest anyone believe that Parasite was the only ground-breaking foreign language film of the past year, Céline Sciamma’s fourth feature, Portrait of a Lady on Fire, arrives to remind us otherwise. Like Parasite, it...

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A Beautiful Day in the Neighborhood review - an emotionally honest biopic

The role of Fred Rogers in A Beautiful Day in the Neighborhood was made for Tom Hanks – and he excels in it. Rogers’ sixth cousin, Hanks has at his fingertips the compassion and warmth that made the zipper-cardigan-clad American children’s...

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The Lighthouse review - shiver me timbers

A creepy lighthouse on a remote island, a blistering storm, a mermaid languishing on the shore and two fabulously bewhiskered actors chewing up the scenery like there’s no tomorrow. The Lighthouse feels like it’s been washed up in a bottle...

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Hugh Grant: A Life on Screen, BBC Two review - hiding in plain sight?

This charming BBC Two hagiography – which may be a contradiction in terms – opened on a montage of praise, with just a hint of irony for the hugely successful actor Hugh Grant. He was born in Hammersmith Hospital, although neither he nor his father...

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Maleficent: Mistress of Evil review - fantasy follow-up falls flat

Angelina Jolie is back again with those cut-glass cheekbones and ink-black wings, reprising her role as the self-proclaimed ‘Mistress of Evil’, in Joachim Rønning’s nauseating sequel to the 2014 live-action spin on Sleeping Beauty. As the...

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Mephisto [A Rhapsody], Gate Theatre review - the callowness of history

You wonder about the title of French dramatist Sam Gallet’s Mephisto [A Rhapsody], an adaptation for our days of Klaus Mann’s 1936 novel about an actor unable to resist the blandishments of fame, even if they come at the cost of losing himself....

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Noises Off, Garrick Theatre review - sublime chaos in Michael Frayn's meta-farce

“Doors and sardines. Getting on, getting off. Getting the sardines on, getting the sardines off. That’s farce. That’s the theatre. That’s life.” Michael Frayn’s laugh-til-you-weep backstage comedy transfers from the Lyric Hammersmith (where it...

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Ian McKellen On Stage, Harold Pinter Theatre review - a master relishes the joy of theatre

Reviewing Ian McKellen's show is, in one sense, like appraising the Taj Mahal or Mount Everest: he too is an awe-inspiring phenomenon. In another sense, Sir Ian is not like that at all, going out of his way to be available to the adoring patrons...

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David Harewood: Psychosis and Me, BBC Two review - actor confronts his painful past

In the week that the Jeremy Kyle show has been yanked permanently off air after the death of one of its vulnerable guests, the timing couldn’t have been better for the BBC to show how sensitively the old-school broadcaster handles contributors with...

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Obituary: Bibi Andersson 1935-2019

"One talks, the other doesn’t" is about as crude a description as could be of the Swedish masterpiece, Persona. Profoundly experimental even today, Ingmar Bergman’s film was at base about the intense, vampiric encounter between a mute actress...

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DVD: Mifune - The Last Samurai

Akira Kurosawa’s 1950 early masterpiece Rashomon was a revelation for post-war western screen audiences, winning the Golden Lion at the Venice Film Festival that year and becoming a standard-bearer for the new generation of Japanese film. Its lead...

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