actors
theartsdesk Q&A: Viggo Mortensen on 'The Dead Don't Hurt', Westerns and the dangers of patriotismWednesday, 12 June 2024
Viggo Mortensen has parlayed film stardom into the life of a hard-working, bohemian-minded gentleman scholar. His Lord of the Rings fees financed Perceval Press, which publishes books of poetry, photography and anthropology by himself and others,... Read more... |
theartsdesk Q&A: Matthew Modine on 'Hard Miles', 40 years in showbusiness and safer cyclingSaturday, 01 June 2024
Maybe California-born Matthew Modine caught the movie bug courtesy of his father Mark, who used to manage drive-in theatres, but after bagging his first film role in John Sayles’s Baby It’s You (1983) he never looked back. Blessed with a gift of... Read more... |
theartsdesk Q&A: Eddie Marsan and the American Revolution, posh boys and East End gangstersWednesday, 22 May 2024
He’s not the kind of actor who has paparazzi following him around Beverly Hills or staking out his yacht in St Barts, but Eddie Marsan, born into a working class family in Stepney in 1968, has amassed a list of acting credits that your average... Read more... |
Stephen review - a breathtakingly good first feature by a multi-media artistWednesday, 24 April 2024
Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s Hunger. It’s gripping from the first frame to the last; the tension rarely lets up as we watch the main character... Read more... |
An Actor Convalescing in Devon, Hampstead Theatre review - old school actor tells old school storiesWednesday, 17 April 2024
One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (is it even Gen Z, or were they last year, Daddio?) can leave one baffled or wondering whose gripe is it anyway.... Read more... |
The Divine Mrs S, Hampstead Theatre review - Rachael Stirling shines in hit-and-miss comedyMonday, 01 April 2024
There are genres of theatre that demand buy-in from the audience – musicals, opera and the daddy of them all, pantomime. The usual entry price to the house, the suspension of disbelief, requires supplementing with an active desire to meet the... Read more... |
Mothers' Instinct review - 'Mad Women'Sunday, 31 March 2024
This is a Nineties psycho thriller in Mad Men clothes, undermining its Sixties suburban gloss and Anne Hathaway and Jessica Chastain’s desperate housewives with genre clichés, yet sustained by the courage of debuting director Benoît Delhomme’s un-... Read more... |
DVD/Blu-ray: Padre PioTuesday, 26 March 2024
Faith and damnation frequently collide in Abel Ferrara’s films, drawing fiery performances from often starry casts. The New York master who made The Driller Killer and Bad Lieutenant now lives in Rome and, like his Pasolini, Padre Pio is a political... Read more... |
Oscars 2024: politics aplenty but few surprises as 'Oppenheimer' dominatesMonday, 11 March 2024
Oppenheimer as expected dominated the 96th Academy Awards, winning seven trophies whilst runner-up Poor Things took four prizes, including Emma Stone in the hotly contested category of best actress.There was a pro forma feeling to the roll call of... Read more... |
Oh What A Lovely War, Southwark Playhouse review - 60 years on, the old warhorse can still bare its teethMonday, 27 November 2023
In Annus Mirabilis, Philip Larkin wrote,"So life was never better than In nineteen sixty-three (Though just too late for me) – Between the end of the "Chatterley" ban And the Beatles' first LP."That might be the only point... Read more... |
Shakespeare: Rise of a Genius, BBC Two review - the Bard's soul bared in hybrid drama-documentaryWednesday, 15 November 2023
Four centuries on from the publication of the First Folio, is there anything new to be said about William Shakespeare? Well, the fact that there is nothing old to be said about him (very little is known about the life of the glover’s son from... Read more... |
Imposter 22, Royal Court Theatre review - ace on representation, less so on structureWednesday, 04 October 2023
The Royal Court’s collaboration with Access All Areas (AAA) may not be theatre’s first explicit embrace of the neurodiverse community on stage: Chickenshed has five decades of extraordinary inclusive work behind them and Jellyfish, starring Sarah... Read more... |
