wed 18/09/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Perfect Couple, Netflix review - an inconvenient death ruins lavish Nantucket wedding

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The Third Man rides again - 75th anniversary of Carol Reed's noir classic

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Slow Horses, Season 4, Apple TV+ review - Gary Oldman returns as the 'gross and inappropriate' Jackson Lamb

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theartsdesk Q&A: David Morrissey on (among other things) the return of 'Sherwood' and 'Daddy Issues'

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Sherwood, Series 2, BBC One review - maybe time isn't such a great healer

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Widow Clicquot review - Haley Bennett stars as the First Lady of champagne

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Freddie Flintoff: Field of Dreams on Tour, BBC One review - a passage to India with the Preston irregulars

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Hollywoodgate review - on tour with the Taliban

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The Instigators, Apple TV+ review - Matt Damon and Casey Affleck are back on the Beantown beat

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Stevie Van Zandt: Disciple, Sky Documentaries review - the New Jersey rocker with many strings to his bow

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Lady in the Lake, Apple TV+ review - a multi-layered Baltimore murder mystery

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Twisters review - satisfyingly cataclysmic storm-chaser saga

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The Jetty, BBC One review - lowlife in a Northern town

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Sleep review - things that go bump in the night

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Fly Me to the Moon review - NASA gets a Madison Avenue makeover

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The Turkish Detective, BBC Two review - a bad business in the Bosphorus

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latest in today

Here comes the flood: Bob Dylan's 1974 Live Recordings

Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half...

Donohoe, Roscoe, Stoller Hall, Manchester review - two great...

A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest...

Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...

My Favourite Cake review - woman, love, and freedom

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...

Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...

A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...

The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...