thu 21/02/2019

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Only Fools and Horses, Theatre Royal Haymarket review - rollicking remake of much-loved TV sitcom

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Traitors, Channel 4 review - Cold War thriller fails to reach room temperature

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Shetland, Series 5, BBC One review - uneven start to new season

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Endeavour, Series 6, ITV review - reassuringly accomplished return of the brainy copper

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Safe Harbour, Series Finale, BBC Four review - too much message, not enough drama

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Das Boot, Sky Atlantic review - menacing drama on land and sea

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theartsdesk Q&A: Matthew Heineman on directing 'A Private War'

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Green Book review - is this Oscar hopeful too good to be true?

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Screenwriter Adam Price on 'Ride Upon the Storm' - 'If we discuss faith, we will possibly not kill each other'

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Black Lake, Series 2 Finale, BBC Four review - Swedish chiller fails to thrill

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Magnum P.I., Sky 1 review - slick and formulaic remake of Eighties original

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Call My Agent!, Netflix review - French movie stars turn out for witty and waspish TV show

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The Favourite review - scintillatingly warped portrait of the court of Queen Anne

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Les Misérables, BBC One review - Dominic West looks the part in new Victor Hugo adaptation

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Torvill & Dean, ITV review - skating into history

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The Dead Room, BBC Four review - ghosts at the microphone

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latest in today

Bodies, Southwark Playhouse review - shaky revival misses th...

Bodies is the latest in Two's Company's series of what they deem "forgotten masterworks", this one making a less-than-triumphant return...

Only Fools and Horses, Theatre Royal Haymarket review - roll...

It was TV gold-dust. The original seven series of Only Fools and Horses were broadcast on BBC One from 1981-1991, and a string of...

Hussain, Symphony Orchestra of India, Dalal, Symphony Hall,...

For its first ever performance in this country, the Symphony Orchestra of...

All in a Row, Southwark Playhouse, review - soapy and shrill...

Time once again to roll out that line about the road to hell being paved with good intentions. The creators of All in a Row, a...

Director Toby Macdonald: 'Comedy is something people ne...

A British boys boarding school in the 1980s. Not the...

On the Basis of Sex review – real-life legal drama

When the world is as crazy as it is right now, its political life dominated by dolts and villains, it needs a new kind of hero. That’s why...

Cyprus Avenue, Royal Court Theatre review - Stephen Rea is u...

David Ireland is a playwright who likes to jolt his audience and...

Tynan, Appl, Burnside, Wigmore Hall review - the music of do...

The first visual impression of Monday’s Wigmore Hall song recital was of the marked...

Joshua Redman Still Dreaming, Barbican review - world-class...

Joshua Redman's Still Dreaming Quartet is a project surrounded by an abundance of facts, context and backstories....

The Best Plays in London

London is the theatre capital of the world, with more than 50 playhouses offering theatrical entertainment. From the mighty National Theatre to...