mon 26/09/2022

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Capture, Series 2, BBC One review - caught up in the China syndrome

Read more...

Van der Valk, Series 2 Finale, ITV review - sleaze, corruption and skulduggery in Amsterdam

Read more...

Better Call Saul, Season 6 Finale, Netflix review - end of the line for TV's most celebrated con artist

Read more...

Shetland, Series 7, BBC One review - Douglas Henshall is back for the last time as Jimmy Perez

Read more...

Murder in Provence, ITV review - a little light sleuthing amid fabulous French scenery

Read more...

Where the Crawdads Sing review - picturesque film glosses over its darker themes

Read more...

The Gray Man, Netflix review - the Russo brothers explore big-bang theory

Read more...

Trom, BBC Four review - there's something fishy in the North Atlantic

Read more...

Freddie Flintoff's Field of Dreams, BBC One review - Lancashire all-rounder adds new strings to his bow

Read more...

Mick Jagger: My Life as a Rolling Stone review, BBC Two - the rock'n'roll enigma gives little away as the band reaches 60

Read more...

The Undeclared War, Channel 4 review - how would the UK cope with a devastating cyber-attack?

Read more...

Man vs Bee, Netflix review - or should it be Bee vs Bean?

Read more...

Elvis review - Austin Butler shines in patchy biopic

Read more...

Sherwood, BBC One review - a traumatic journey through a painful past

Read more...

We Own This City, Sky Atlantic review - 'The Wire' creator David Simon is back on the Baltimore beat

Read more...

Pistol, Disney+ review - Punk history repeats itself as farce

Read more...

Pages

latest in today

Marina Abramović: Gates and Portals, Modern Art Oxford and P...

I have powerful memories of performances by Marina Abramović. Back in 1977 at Documenta in Kassel,...

Aida, Royal Opera review - dour but disciplined

No gods, ancient Egyptian or otherwise; no sinister priest along the lines of Russia’s antichrist Patriarch Kiriil, sending soldiers to their...

The Big Moon, Oran Mor, Glasgow review - partying prevails d...

Presumably before setting out on their current tour the Big Moon smashed a few mirrors, walked under some ladders and crossed the paths of...

Gurrelieder, LPO, Gardner, RFH review - everything in place,...

Schoenberg’s “Song of the Wood Dove” takes up a mere 11 of the 100 minutes of his epic Gurrelieder, though it’s a crucial narrative of...

Music Reissues Weekly: Bill Nelson's Red Noise - Art /...

The British music weeklies were clear about where the Sound-On-Sound LP and its singles fitted into the current musical topography when...

theartsdesk at Musikfest Berlin - orchestral and choral rain...

In its three weeks of world-class events, Muskfest Berlin has...

Am I Being Unreasonable?, BBC One review - comedy thriller d...

In case you're not au fait with Mumsnet, the title of Daisy May Cooper's follow-up...

The Wonderful World of Dissocia, Theatre Royal Stratford Eas...

Lisa has lost an hour in a (somewhat contrived) temporal glitch. As a consequence, her world is always sliding off-kilter, not quite...

Juniper review - a classic role for Charlotte Rampling

Juniper provides, above all, an absolutely unforgettable role for Charlotte Rampling....