thu 27/06/2019

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Yesterday review - Beatlemania in a parallel universe

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The Planets, Series Finale, BBC Two review - ice cold on Neptune

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Drag SOS, Channel 4 review - absolutely fabulous

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Beecham House, ITV review - a cartoon version of 18th century India

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Years and Years, Series Finale, BBC One review - soggy ending fails to inspire

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Ackley Bridge, Series 3, Channel 4 review - we gotta get out of this place

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Sometimes Always Never review - small but perfectly crafted

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What's My Name: Muhammad Ali, Sky Atlantic review - why they called him The Greatest

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Years and Years, Episode 5, BBC One review - darker and darker

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Big Little Lies, Series 2, Sky Atlantic review - supercharged start for new season

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Gloria Bell review - dancing away the heartache

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63 Up, ITV review - age is beginning to wither them

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Her Majesty's Cavalry, ITV review - my kingdom for a horse

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Sundance London 2019 review - psychotic maniacs and old-fashioned weepies

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Thunder Road review - potent and poignant debut feature

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Chernobyl, Episode 4, Sky Atlantic review - life in the death zone

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latest in today

The Hunt, Almeida Theatre review - tense Scandinoirland dram...

For a while, child abuse has been banished from our stages. After all, there is a limit, surely, to how much pain audiences can be put through....

Yesterday review - Beatlemania in a parallel universe

The price of fame and the value of artistic truth are among the topics probed in...

CD: Mark Mulcahy – The Gus

On his last album, 2017’s acclaimed The Possum in the Driveway,...

Present Laughter, Old Vic review - Andrew Scott continues hi...

"Will You Still Love Me Tomorrow?" can be heard pulsating through the...

Apollo 11 review - an awe-inspiring leap

How could this story be told again? Director Todd Douglas Miller has found a way: strip away narrative and give the audience the purity of...

theartsdesk on Vinyl 50: Depeche Mode, Black Midi, Primal Sc...

So theartsdesk on Vinyl reaches its 50th edition. That’s at least a novels’ worth of words. Maybe two! But we’re not stopping yet...

Ax, Keenlyside, Dover Quartet, Wigmore Hall review – celebra...

Emanuel Ax here celebrated his 70th birthday with an all-...

The Planets, Series Finale, BBC Two review - ice cold on Nep...

As an aid to meditation, Professor Brian Cox’s latest series The Planets (...

Drag SOS, Channel 4 review - absolutely fabulous

According to the Manchester drag collective the Family Gorgeous, “drag should be for everyone.” And on the evidence of Drag SOS (...

CD: Ingrid Michaelson - Stranger Songs

Eight albums in, you can imagine why a...