tue 21/01/2020

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Gentleman Jack, BBC One review - the revolutionary life of Anne Lister

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John Wick: Chapter 3 - Parabellum review - mayhem in Manhattan

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Years and Years, BBC One review - ambitious but amorphous

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Bear's Mission with David Walliams, ITV review - celebs go wild in the country

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Deep State, Series 2, Fox review - covert conspiracies in Africa

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Chernobyl, Sky Atlantic review - a glimpse of Armageddon

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Arctic review - The Martian on ice

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Trust Me, Series 2 Finale, BBC One review - dodgy doctors and unreliable nurses

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The Widow, Series Finale, ITV review - Congolese drama parts company with reality

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Bake Off: The Professionals, Channel 4 review - farcical but fun

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Hall & Oates, Wembley SSE Arena review - bestselling duo still have the power

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Run for Your Life, ITV review - giving the nation's youth a sporting chance

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Looking for Rembrandt, BBC Four review - painter's biog is a mini-masterpiece

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Trust Me, Series 2, BBC One review - hospital killer chiller

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Wild Rose review - how country music can set you free

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Don't Forget the Driver, BBC Two review - trying to beat the Bognor blues

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latest in today

English National Ballet 70th Anniversary Gala, Coliseum revi...

Just when you thought Christmas was well and truly over, along comes another box of delights. And there isn’t a disappointment in it. If it were...

Bach Sunday with the Suzukis, RAM / Appl, AAM, Milton Court...

Not long after noon on Sunday, strange bells began ringing. In just 11 bars,...

The Outsider, Sky Atlantic review - double trouble in small-...

Stephen King’s novels have generated an impressive lineage of successful...

Blomfield, Philharmonia, Salonen, Barbican review - sounds o...

Concert programmes that set out to tell us a story can prove a mixed blessing. Yes, it’s valuable and stimulating to find ideas, and narratives,...

Blu-ray: Night Tide

Dennis Hopper’s first starring role, in Night Tide from 1961, as a naïve but curious young sailor bewitched by a siren, offers a strange...

Celtic Connections 2020, Glasgow review - fine feast of Scot...

Celtic Connections, Scotland’s annual festival of folk, world and fusion music, has been brightening up dreich Glasgow Januaries...

Beethoven Discovery Day, Batiashvili, LSO, Rattle, Barbican...

#Beethoven250 is in full swing at the Barbican. Like most...

Onegin, Royal Ballet review - vivid and intelligent dance dr...

It’s no surprise that audiences love John Cranko’s Onegin, with its vividly economical narrative (close to...

Rags: The Musical, Park Theatre review - a timely, if predic...

“Take our country back!” is the rallying cry of the self-identified “real”...

Mahler's Eighth, CBSO, Gražinytė-Tyla, Symphony Hall Bi...

“Try to imagine the whole universe beginning to ring and resound” wrote...