mon 27/01/2020

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Only Fools and Horses, Theatre Royal Haymarket review - rollicking remake of much-loved TV sitcom

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Traitors, Channel 4 review - Cold War thriller fails to reach room temperature

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Shetland, Series 5, BBC One review - uneven start to new season

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Endeavour, Series 6, ITV review - reassuringly accomplished return of the brainy copper

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Safe Harbour, Series Finale, BBC Four review - too much message, not enough drama

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Das Boot, Sky Atlantic review - menacing drama on land and sea

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theartsdesk Q&A: Matthew Heineman on directing 'A Private War'

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Green Book review - is this Oscar hopeful too good to be true?

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Screenwriter Adam Price on 'Ride Upon the Storm' - 'If we discuss faith, we will possibly not kill each other'

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Black Lake, Series 2 Finale, BBC Four review - Swedish chiller fails to thrill

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Magnum P.I., Sky 1 review - slick and formulaic remake of Eighties original

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Call My Agent!, Netflix review - French movie stars turn out for witty and waspish TV show

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The Favourite review - scintillatingly warped portrait of the court of Queen Anne

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Les Misérables, BBC One review - Dominic West looks the part in new Victor Hugo adaptation

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Torvill & Dean, ITV review - skating into history

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The Dead Room, BBC Four review - ghosts at the microphone

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latest in today

Shostakovich 24 Preludes and Fugues, Igor Levit, Barbican re...

"Citizen. European. Pianist," declares Russian-born, Berlin-...

Street Scene, Opera North review - a true ensemble achieveme...

Kurt Weill’s “Broadway opera” – his own preferred description – is an extraordinary and brilliant piece of...

Album: Sam Lee, Old Wow - a hymn to Mother Nature

Folk music has always thrived in times of adversity and...

Slipknot, Arena Birmingham review – Iowa metal-heads tear th...

Given Slipknot’s studied image as arch misanthropes, with their horror show costumes, aggressive posturing and frightening masks designed to put...

Albert Costa: The Bilingual Brain review – double-talking he...

Those of us who have to toil and sweat with other languages often feel a twinge of envy when we meet truly bilingual folk. That ability to switch...

Clemens Meyer: Dark Satellites review - eccentric orbits

In Clemens Meyer’s new collection of short stories Dark...

Reissue CDs Weekly: Game Theory - Across The Barrier Of Soun...

Since this column last caught up with the totemic California art-popsters Game Theory, band mainstay Gil Ray passed away. He died in January 2017...

Bombay Bicycle Club, Cardiff University Students Union revie...

When a band claims a crowd is the loudest of the tour, you can usually guarantee they've said it on every other date too. But for one sweaty night...

Gerde's Folk City at 60, The Iridium, New York City - a...

Fifty-nine years to the day, 24 January 1961, that a young college dropout named Robert Zimmerman clambered out of a car on the Manhattan end of...