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Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Fellow Travellers, Paramount+ review - four-decade saga of power, politics and gay love

Saturday, 28 October 2023 Read more...

Rock Hudson: All That Heaven Allowed review - the closeted life of a Hollywood great

Friday, 20 October 2023 Read more...

London Film Festival 2023 - movies in a musical vein

Saturday, 14 October 2023 Read more...

Frasier, Paramount+ review - he's back! But should he be?

Friday, 13 October 2023 Read more...

Reckoning with the Jimmy Savile legacy - Steve Coogan stars in BBC One's four-part 'factual drama'

Monday, 09 October 2023 Read more...

BlackBerry review - the nerds versus The Man

Thursday, 05 October 2023 Read more...

The Continental, Prime Video - welcome to the expanding John Wick universe

Wednesday, 27 September 2023 Read more...

Expend4bles review - last ride for the over-the-hill gang?

Friday, 22 September 2023 Read more...

Top Boy, Season 5, Netflix review - grime and punishment

Saturday, 16 September 2023 Read more...

AngelHeaded Hipster: The Songs of Marc Bolan and T Rex review - musical doc falls between two stools

Thursday, 14 September 2023 Read more...

Who Is Erin Carter?, Netflix review - secrets and ultra-violence under the Catalan sun

Thursday, 07 September 2023 Read more...

The Following Events Are Based on a Pack of Lies, BBC One - deliciously bingeable drama from the Skinner sisters

Wednesday, 30 August 2023 Read more...

Harlan Coben's Shelter, Prime Video review - what the hell is going on in Kasselton, New Jersey?

Tuesday, 22 August 2023 Read more...

Only Murders in the Building, Disney+ review - this comedy crime drama is a class act

Saturday, 19 August 2023 Read more...

Enemy of the People, Channel 4 review - murder and corruption in the age of digital media

Wednesday, 09 August 2023 Read more...

Wolf, BBC One review - a load of old...

Wednesday, 02 August 2023 Read more...

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'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...

Pulp, O2 Arena review - common people like us

Jarvis Cocker is proudly holding the No 1 trophy handed to him on the day Pulp topped the album chart for the first time in 27 years with More...

Mazeppa, Grange Park Opera review - a gripping reassessment

Tchaikovsky has precisely two operas in the standard repertoire (including The Queen of Spades, currently playing at Garsington), and...