mon 17/06/2024

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Fatal Attraction, Paramount+ review - Adrian Lyne's bunny-boiler blockbuster expanded onwards and outwards

Read more...

Citadel, Prime Video review - did Amazon really pay $300m for this?

Read more...

The Diplomat, Netflix review - can London's new American ambassador prevent World War Three?

Read more...

Malpractice, ITV1 review - she got into a mess on the NHS

Read more...

How To Blow Up a Pipeline review - can eco-terrorism be justified?

Read more...

Why Didn't They Ask Evans?, ITV1 review - Agatha Christie gets a tense and twisty reworking by Hugh Laurie

Read more...

Magpie Murders, BBC One review - zinging TV adaptation of Anthony Horowitz's bestseller

Read more...

Rabbit Hole, Paramount+ review - sabotage, subterfuge and corporate skulduggery

Read more...

Villeneuve Pironi: Racing's Untold Tragedy, Sky Documentaries review - a macabre slice of motor racing mythology

Read more...

John Wick: Chapter 4 review - is this the El Cid of shoot-'em-up movies?

Read more...

Infinity Pool review - it's like The White Lotus on bad acid

Read more...

Play Dead review - chills, thrills and stolen body parts

Read more...

Endeavour: The Final Episode, ITV1 review - the final bow for Oxford's finest

Read more...

MH370: The Plane That Disappeared, Netflix review - a field day for conspiracy theorists

Read more...

Daisy Jones & The 6, Amazon Prime review - hit rock'n'roll novel doesn't make great TV

Read more...

Liaison, Apple TV+ review - tangly Franglais thriller presses some hot buttons

Read more...

Pages

latest in today

Presumed Innocent, Apple TV+ review - you read the book and...

Scott Turow published his cunningly-wrought legal thriller in 1987, and Alan J Pakula’s powerful movie version, starring Harrison Ford, appeared...

Ashton Celebrated, Royal Ballet review - peerless delights f...

Launching a four-year global project to proclaim the genius of...

Freud's Last Session review - Freud and CS Lewis search...

How can it be part of God’s plan to allow so much pain and suffering in the world, asks Sigmund Freud (Anthony Hopkins) of a young Oxford don, CS...

Music Reissues Weekly: Margo Guryan - Words and Music

Late summer 1966. Jazz was Margo Guryan’s thing. She was not interested in pop music. This changed when she was played The Beach Boys’s “God Only...

Bach's Mass in B Minor, Collegium Vocale Gent, Herreweg...

There’s a masterful subtlety to Philippe Herreweghe’s interpretation of Bach’s last great choral work – it shuns blazing transcendence for a sense...

Sorcery review - a tale of shapeshifting revenge

Islands off the coast of southern Chile, to the Spanish and German settlers of the 19th century, represented the edge of the world. To the...

The Moor review - Yorkshire chiller is ambitious but muddled

A number of films in recent years have added a distinctly local flavour to the folk-horror genre. Mark Jenkin was inspired by...

Album: John Moreland - Visitor

The mournful, lonesome voice of John Moreland from Bixby, Oklahoma, will be known by a few, but not many, in this country. The 12 songs on his...

Smashing Pumpkins / Weezer, OVO Hydro, Glasgow review - doub...

The current trend for package tours with two headliners appears to be growing, and this jaunt presented somewhat unlikely bedfellows – the...