tue 16/04/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Endeavour: The Final Episode, ITV1 review - the final bow for Oxford's finest

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MH370: The Plane That Disappeared, Netflix review - a field day for conspiracy theorists

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Daisy Jones & The 6, Amazon Prime review - hit rock'n'roll novel doesn't make great TV

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Liaison, Apple TV+ review - tangly Franglais thriller presses some hot buttons

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Drive to Survive, Season 5, Netflix review - fly-on-the wall F1 show may need a reboot

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The Gold, BBC One review - gripping dramatisation of the 1983 Brink's-Mat bullion robbery

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Fauda, Season 4, Netflix review - Israeli terrorism thriller gets darker and dirtier

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Women at War, Netflix review - contrasting stories entwine during the chaos of World War One

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Stewart, Sky Documentaries review - touching and insightful portrait of Scottish race ace

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Happy Valley, Series 3, BBC One review - tension mounts as the Yorkshire crime drama approaches its conclusion

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Stonehouse, ITV review - history repeats itself as farce

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Doc Martin Christmas Special, ITV review - Santa comes to Portwenn as the final curtain falls

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All Creatures Great and Small Christmas Special, Channel 5 review - life during wartime with the Yorkshire vets

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Wildcat review - damaged war veteran reborn in the Peruvian jungle

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Adam Sweeting's Top 10 Films of 2022

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Harry & Meghan, Netflix review - at home with the Harkles

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latest in today

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

Blu-ray/DVD: Priscilla

There’s a scene in Priscilla where Elvis stands above his wife, who is scrambling to put her clothes in a suitcase. Priscilla has just...

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...

The Comeuppance, Almeida Theatre review - remembering high-s...

I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American...

theartsdesk on Vinyl 83: Deep Purple, Annie Anxiety, Ghetts,...

VINYL OF THE MONTH

London Afrobeat Collective Esengo (Canopy)

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Heather McCalden: The Observable Universe review - reflectio...

Artist and writer, Heather McCalden, has produced her first book-length work. The Observable Universe examines, variously, her familial...

Richard, My Richard, Theatre Royal Bury St Edmund's rev...

History is very present in Philippa Gregory’s new play about Richard III. Literally - History is a character, played by Tom Kanji. He strides...

Spencer Jones: Making Friends, Soho Theatre review - award-w...

Lockdown feels more like a dream now: empty streets;...

Album: EMEL - MRA

At a time when conflicts in the Middle East are reaching fever pitch, Emel Mathlouthi represents hope. Her new album MRA, is titled for...