thu 28/03/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Special Ops: Lioness, Paramount+ review - high-octane female cast conducts war on terror

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Oppenheimer review - epic and enthralling study of 'the father of the atomic bomb'

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World on Fire, Series 2, BBC One - return of Peter Bowker's panoramic view of World War Two

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Disturbing Disappearances, More4 review - headstrong 'tec tackles Pied Piper mystery

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Bruce Springsteen and the E Street Band, BST Hyde Park review - Saturday in the park with Bruce

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Tom Clancy's Jack Ryan, Season 4, Prime Video review - final outing for John Krasinski's CIA hero

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Hijack, Apple TV+ review - trapped at 40,000 feet with a bunch of armed thugs

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Spiral of Lies, Channel 4 review - bodies, fibs and bad karma in Biarritz

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Turn of the Tide, Netflix review - cocaine madness comes to the Azores

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No Hard Feelings review - nothing about this queasy comedy feels quite right

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Best Interests, BBC One review - a family feels the unbearable strain of terminal illness

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Chevalier review - a less than extraordinary film about an extraordinary man

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Hypnotic review - a riotously enjoyable thriller

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Inland review - a cracked mosaic of memories, impressions and lurking anxiety

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Ten Pound Poms, BBC One review - a new life in the Great Southern Land

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A different angle on the Anne Frank story in 'A Small Light'

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latest in today

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...

Album: Sum 41 - Heaven :x: Hell

Sum 41 honour their 27-year career with Heaven :x: Hell, a 20-track double album, due to be their final, without a single skip. Harking...

3 Body Problem, Netflix review - life, the universe and ever...

From Game of Thrones producers David Benioff and DB Weiss, in cahoots with Alexander Woo, 3 Body Problem is Netflix’s daring...