fri 14/06/2024

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

3 Body Problem, Netflix review - life, the universe and everything (and a bit more)

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The Delinquents review - escape to the country, Buenos Aires style

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Manhunt, Apple TV+ review - all the President's men

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The New Boy review - a mystical take on Australia's treatment of its First Peoples

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The Gentlemen, Netflix review - Guy Ritchie's further adventures in Geezerworld

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Prisoner, BBC Four review - jailhouse rocked by drugs, violence and racism

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Drive to Survive, Season 6, Netflix review - F1 documentary overtaken by events

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The Way, BBC One review - steeltown blues

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Kin, Series 2, BBC One review - when crime dynasties collide

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Bob Marley: One Love review - sanitised official version of the Jamaican icon's story

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Griselda, Netflix review - Sofía Vergara excels as the Godmother of cocaine trafficking

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Argylle review - Matthew Vaughn's secret agent fantasy dares you to deny it

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Masters of the Air, Apple TV+ review - painful and poignant account of the Eighth Air Force's bombing campaign

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True Detective: Night Country, Sky Atlantic review - death in a cold climate

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Criminal Record, Apple TV+ review - law and disorder in Hackney

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Poor Things review - other-worldly adaptation of Alasdair Gray's novel

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latest in today

Jazz Emu, Soho Theatre review - delightfully daft musical sp...

Jazz Emu bounds on to the stage, launching into a song that talks about the importance of team work and how he has no ego. But strangely enough,...

Album: Moby - Always Centred at Night

US electronic perennial Moby has had a good run. He was a rave...

Wilding review - a life enhancing experience

Imagine you’ve inherited a castle in West Sussex plus five square miles of farmland. You continue the family tradition of mixed arable and dairy...

Miss Julie, Park Theatre review - Strindberg's kitchen...

You have to tiptoe around the edge of the set just to take your seat in the Park’s studio space for Lidless Theatre’s ...

Album: Kneecap - Fine Art

For a band just putting out their debut album, West Belfast’s Kneecap have been courting media attention for some while and have already been seen...

theartsdesk at the 2024 Aldeburgh Festival - romantic journe...

It may be unusual to begin festival coverage with praise of the overseer rather than the artists. Yet Roger Wright, who quietly leaves his post at...

theartsdesk on Vinyl 84: Ibibio Sound Machine, Dave Clarke,...

VINYL OF THE MONTH

Ariel Sharratt & Matthias Kom Never Work (BB*Island) + Ella Ronen...

theartsdesk Q&A: Viggo Mortensen on 'The Dead Don...

Viggo Mortensen has parlayed film stardom into the life of a...

Girls Aloud, OVO Hydro, Glasgow review - pop queens return w...

There was a point in this pop revival jaunt where you...

Album: John Grant - The Art of the Lie

“I feel ashamed because I couldn’t become the man that you always hoped I’d become.” The line is repeated during “Father,” The Art of the Lie’...