thu 28/03/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Pam & Tommy, Disney+ review - the infamous sex tape that went global

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Belfast review - coming of age amid the terror of the Troubles

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The Teacher, Channel 5 review - inappropriate behaviour in the school environment

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The Responder, BBC One review - the loneliness of the long-distance copper

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Long Promised Road review - another attempt to probe the fragile genius of Brian Wilson

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Nightmare Alley review - a dazzling trip through a heart of darkness

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Munich: The Edge of War review - Jeremy Irons excels in a revisionist portrait of Neville Chamberlain

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Rules of the Game, BBC One review - feminist workplace drama topples into farce

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Witch Hunt, All 4 review - dark deeds and dirty money

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The Tourist, BBC One review - gripping Outback thriller from the Williams brothers

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A Very British Scandal, BBC One review - the wild life and times of the Duchess of Argyll

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The Amazing Mr Blunden, Sky Max / The Mezzotint, BBC Two reviews - blundering Blunden eclipsed by M R James

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The Girl Before, BBC One review - high-tech dream home contains many a heartache

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Landscapers, Sky Atlantic review - Olivia Colman and David Thewlis star as a pair of convicted killers

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You Don't Know Me, BBC One review - true love meets inner-city crime wave

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Hellbound, Netflix review - supernatural assassins usher in an age of terror

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First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...

Album: Sum 41 - Heaven :x: Hell

Sum 41 honour their 27-year career with Heaven :x: Hell, a 20-track double album, due to be their final, without a single skip. Harking...

3 Body Problem, Netflix review - life, the universe and ever...

From Game of Thrones producers David Benioff and DB Weiss, in cahoots with Alexander Woo, 3 Body Problem is Netflix’s daring...