fri 18/09/2020

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Chaos in the Cockpit: Flights from Hell, Channel 5 review - do we really want to watch plane-wreck TV?

Read more...

LFF 2019: Le Mans '66 review - Matt Damon, Christian Bale and the Ford Motor Company go to war

Read more...

American Woman review - leading lady Sienna Miller moves up a gear

Read more...

Doing Drugs for Fun, Channel 5 review - why the cocaine trade is no laughing matter

Read more...

The Great British Bake Off, Episode 7, Channel 4 review - bakers hampered by pointless celebrities

Read more...

LFF 2019: The King review - head conquers heart in Shakespeare adaptation

Read more...

The Capture, Episode 5, BBC One review - the man who knew too much

Read more...

Snackmasters, Channel 4 review - superchefs take the clone-a-KitKat challenge

Read more...

World on Fire, BBC One review - more melodrama than drama

Read more...

My Life is Murder, Alibi review - whimsical tales of detection from Down Under

Read more...

Saving Lives at Sea, BBC Two review - derring-do on the ocean wave with the RNLI

Read more...

The $50m Art Swindle, BBC Two review - ramblin' gamblin' man comes home to roost

Read more...

The Cameron Years, BBC One review - quite interesting but a bit boring

Read more...

City on a Hill, Sky Atlantic review - power, corruption and larceny in 1990s Boston

Read more...

Defending the Guilty, BBC Two review - trials and tribulations of a trainee barrister

Read more...

Love in the Countryside, BBC Two review - reaping a harvest of marital bliss?

Read more...

Pages

latest in today

Nocturnal review - an impossible love

The most painterly and ominous sequence in Nocturnal naturally occurs at night. Until recently strangers, 33-year-old Pete (Cosmo Jarvis...

Album: Alicia Keys - Alicia

Alicia Keys is a puzzling mixture. On the one hand she’s the hyper-achieving, multi-platinum, 752-Grammy-winning...

Rocks review - impressively well-crafted neo-realist drama

Rocks is a beautifully made slice of neo-realist filmmaking which deserves to get a wide audience but may well slip off the radar in the...

GogolFest:Dream review - the best music festival of the summ...

GogolFest:Dream in Kherson, somewhere near the Crimea in...

Igor Levit, Wigmore Hall/Hill Quartet, Bandstand Chamber Fes...

An early hero of lockdown, livestreaming from his Berlin home in terrible sound at first, Igor Levit is a supreme example of how adaptable...

The Devil All The Time review – a test of faith in a Souther...

Theres no denying the Faulknerian ambition to the construction of Anthony Camposlatest feature Devil All the Time...

Eavesdropping on Rattle, the LSO and Bartók’s Bluebeard

One source of advance information told us to expect a reduced version of...

Album: Fish - Weltschmerz

"This party's over" snarls Fish on Weltschmerz, and, this time, it seems the big man really means...

Alban Gerhardt, Markus Becker, Wigmore Hall review - long sh...

It wouldn’t be true to say I’d forgotten what a solo cello in a...