thu 17/07/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

AngelHeaded Hipster: The Songs of Marc Bolan and T Rex review - musical doc falls between two stools

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Who Is Erin Carter?, Netflix review - secrets and ultra-violence under the Catalan sun

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The Following Events Are Based on a Pack of Lies, BBC One - deliciously bingeable drama from the Skinner sisters

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Harlan Coben's Shelter, Prime Video review - what the hell is going on in Kasselton, New Jersey?

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Only Murders in the Building, Disney+ review - this comedy crime drama is a class act

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Enemy of the People, Channel 4 review - murder and corruption in the age of digital media

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Wolf, BBC One review - a load of old...

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Special Ops: Lioness, Paramount+ review - high-octane female cast conducts war on terror

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Oppenheimer review - epic and enthralling study of 'the father of the atomic bomb'

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World on Fire, Series 2, BBC One - return of Peter Bowker's panoramic view of World War Two

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Disturbing Disappearances, More4 review - headstrong 'tec tackles Pied Piper mystery

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Bruce Springsteen and the E Street Band, BST Hyde Park review - Saturday in the park with Bruce

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Tom Clancy's Jack Ryan, Season 4, Prime Video review - final outing for John Krasinski's CIA hero

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Hijack, Apple TV+ review - trapped at 40,000 feet with a bunch of armed thugs

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Spiral of Lies, Channel 4 review - bodies, fibs and bad karma in Biarritz

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Turn of the Tide, Netflix review - cocaine madness comes to the Azores

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That Bastard, Puccini!, Park Theatre review - inventive comi...

Before Luigi Illica wrote the libretti for Puccini’s Tosca and Madama Butterfly, he had joined the composer as the...

Hamlet, Buxton International Festival review - how to re-ima...

Ambroise Thomas’s version of Hamlet is the flagship production of this year’s Buxton International Festival and was always going to be a...

Friendship review - toxic buddy alert

The frenetic brand of humour that Tim Robinson brings to Friendship comes from a long lineage. There have...

Album: Slikback - Attrition

In the eternal now of the strobe-lit sweatbox, innovation functions in a different way to the rest of culture. Yes of course, the thrill of the...

Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...

Album: The Near Jazz Experience - Tritone

As the name suggests, the Near Jazz Experience owe a huge musical debt to jazz, but that’s not the full story by any means. For a start, the...

Billie Eilish, O2 review - power, authenticity and deep conn...

Billie Eilish may be one of the biggest names in new music, but here at the O2 Arena, she’s just Billie – the one who stares deep into your soul,...