thu 05/12/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

DI Ray, ITV review - Parminder Nagra battles killer gangs and cultural stereotypes

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Downton Abbey: A New Era review - will we ever see its like again?

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Life After Life, BBC Two review - déjà vu all over again

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Ennio review - sprawling biog of the maestro of movie music

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Anatomy of a Scandal, Netflix review - sex, sexism and the abuse of power

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Operation Mincemeat review - Colin Firth and co practise the fine art of deception

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Onoda: 10,000 Nights in the Jungle review - three decades of hell in the Pacific

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Hacks, Prime Video review - what's so funny about a career in comedy?

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Thatcher & Reagan: A Very Special Relationship, BBC Two review - when the Iron Lady met the Cowboy President

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Bridgerton, Season 2, Netflix review - power politics and love triangles as Regency fantasy returns

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The Last Kingdom, Season 5, Netflix review - Danes-and-Saxons saga hurtles towards an epic climax

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Hive review - how a group of Kosovan widows rebuilt their lives

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Drive to Survive, Season 4, Netflix review - bitter rivalries on and off the track

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Shane, Amazon Prime review - the outsized life and times of cricket's King of Spin

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The Ipcress File, ITV review – adaptation of Len Deighton thriller fires on all cylinders

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Peaky Blinders, Series 6 review, BBC One - have we reached peak Peakies?

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Ricky Gervais, Touring review - new show, not-so new gags

Ricky Gervais begins by bringing us up to date with the latest “outrage” he has caused; two Netflix specials, SuperNature and...

Bach Mendelssohn Festival, Part I, Oxford Philharmonic Orche...

“I am not better than my fathers.” Cracked, pained, occasionally rasping, rising to a fearsome roar then subsiding to a throaty whisper, Sir Bryn...

Album: White Denim - 12

White Denim’s literally titled 12th album opens with the fidgety “Light on.” Drawing a line between electronica and Tropicália, it exudes...

theartsdesk on Vinyl 87: Roots Manuva, Bogdan Raczynski, Son...

VINYL OF THE MONTH

Blood Incantation Absolute Elsewhere (Century Media)

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Currie, Hallé, Wong, Bridgewater Hall, Manchester review - s...

Kahchun Wong’s final concert of 2024 in the Hallé Manchester season was something of a surprise. At first sight, the sparkle in the programme...

Blu-ray: Juggernaut

That Juggernaut is as good as it is seems in hindsight to have been a happy accident. Inspired by a bomb hoax on the QE2 in 1972, the...

Rigoletto, Irish National Opera / Murrihy, Collins, NCH Dubl...

How many Rigolettos have regular operagoers among you sat through where there wasn’t some major defect, in either the production or the...

Electric Dreams: Art and Technology Before the Internet, Ta...

Last month a portrait of Alan Turing by AI robot AI-Da sold at Sotheby’s for $1.08 million – proof that, in some people’s eyes, artificial...

Album: Panelia - Nothing and All At Once

Nothing and All at Once is the debut album from New Delhi...