tue 08/10/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Lupin, Part 2, Netflix review - master of disguise versus racists and lies

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Nobody review - Bob Odenkirk reinvents himself as all-action dynamo

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The Beast Must Die, Britbox review - a crime story which plumbs psychological depths

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Time, BBC One review - grim and gritty study of life behind bars by Jimmy McGovern

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Mare of Easttown, Season Finale, Sky Atlantic review - great performances in a town called malice

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Before We Die, Channel 4 review - Lesley Sharp excels as a detective in crisis

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Cruella review - fabulous fashions, creaky narrative

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Those Who Wish Me Dead review - Angelina Jolie battles baddies and blazes in Montana

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We Are Lady Parts, Channel 4 review - female Muslim punk band rocks the house

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Army of the Dead review - triumphant return to zombieland by director Zack Snyder

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The Underground Railroad, Amazon Prime review - a horrifying ride through America's heart of darkness

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The Woman in the Window review - hitching a ride with Hitch

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Domina, Sky Atlantic review - a little less conversation, a little more action required

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Danny Boy, BBC Two review - when law and war collide

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Crosby, Stills, Nash and Young: Déjà Vu 50th Anniversary Deluxe Edition

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Line of Duty, Series 6 Finale, BBC One review - crafty ending leaves wriggle room for a sequel

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latest in today

Ludwig, BBC One review - entertaining spin on the brainy det...

The latest incarnation of David Mitchell, TV actor, looks at first sight much like the familar one from Peep Show and Back...

The Hardacres, Channel 5 review - a fishy tale of upward mob...

Set in Yorkshire in the 1890s, and based on the novels...

Juno and the Paycock, Gielgud Theatre review - a shockingly...

"Captain" Jack Boyle is a fantasist, a mythmaker, a storyteller. He relishes an audience – usually his sidekick, Joxer. There is a theatricality...

Hardenberger, BBC Philharmonic, Storgårds, Bridgewater Hall,...

Two splendid pieces of orchestral virtuosity began and finished the second Saturday concert by the BBC Philharmonic under John Storgårds at the...

Angry and Young, Almeida Theatre review - vigorous and illum...

Why should we not look back in anger? With the Oasis reunion tour in the news recently, the title of John Osborne’s seminal kitchen-sink drama –...

Blond Eckbert, English Touring Opera review - dark deeds afo...

Judith Weir’s Blond Eckbert, presented by English Touring Opera...

Songs We Carry, Ana Silvera and Saied Silbak, Kings Place re...

As the Middle East continues to fragment in hate and horror, a tragic unfolding of events with roots reaching back to the middle of the last...

The Marrriage of Figaro, Opera Project, Tobacco Factory, Bri...

The Marriage of Figaro is undoubtedly one of the greatest operas ever written....

Album: Permafrost - The Light Coming Through

While it does get very cold in the north of Norway, it’s likely that Permafrost’s chosen name reflects a fondness for Howard Devoto’s post-punk...

Music Reissues Weekly: The Devil Rides In - Spellbinding Sat...

Just over two weeks before Christmas 1967, The Rolling Stones issued Their Satanic Majesties Request. The album’s title appeared to serve...