tv
Return to Belsen, ITV review - Jonathan Dimbleby retraces his father's journey to a nightmare worldWednesday, 08 April 2020
When the notorious Bergen-Belsen concentration camp in northern Germany was liberated by the British 11th Armoured Division on 15 April 1945, the BBC’s reporter Richard Dimbleby was there to record the occasion. Read more... |
Ozark, Series 3 review, Netflix - money-laundering saga hits new heightsMonday, 06 April 2020
While not the most headline-catching show on Netflix, Ozark has been steadily accruing critical accolades (including a couple of Emmys) and a devoted audience. Perhaps this superb third series will mark the tipping point where Ozark crosses over from cliqueishness to mass adulation. Read more... |
Mark Kermode's Secrets of Cinema, BBC Four review - the undying allure of the spying gameFriday, 03 April 2020
Mirrors and windows, looking at ourselves or out into the world, reflecting the culture or making it: compare and contrast. This was the subliminal debate in Spies (BBC Four), the latest instalment of Mark Kermode’s essays on the history and trajectory of movie-making, with some mention too of that complementary form of film, the television programme. Read more... |
The Trip to Greece, Series Finale, Sky 1 review - bittersweet swansong for the cantankerous comradesWednesday, 01 April 2020
Could this mock-mythic journey, emulating the trek homewards to Ithaca of Homer’s hero Odysseus, really be the final series of The Trip (Sky 1)? Or will Steve Coogan and Rob Brydon see sense, and realise that they’ll never have as many free lunches as this again? Read more... |
Pen15, Sky Comedy review - the horror of adolescent schooldays revisitedWednesday, 01 April 2020
The cringe-making horror of adolescent schooldays is vividly re-lived in this US import (on Sky Comedy), but with a cunning twist. Its supposedly confused and hormonal leads are played by 30-somethings Maya Erskine and Anna Konkle, who blend themselves in with a cast of actual 13-year-olds with uncanny skill. Read more... |
The Steph Show, Channel 4 review - magazine show debuts from host's front roomTuesday, 31 March 2020
As we are learning each day during lockdown, necessity is the mother of invention. In Channel 4's case, it is learning how the wonders of modern technology can save a situation: to wit, The Steph Show was meant to come live daily from a shiny new studio in Leeds Docks, but yesterday debuted from host Steph McGovern's front room in North Yorkshire. Read more... |
Batwoman, E4 review - can Bruce Wayne's female cousin fill his bat-costume?Monday, 30 March 2020
The Marvel Cinematic Universe has been saturating the globe with its multi-format superheroes, leaving its DC rival looking clumsy and disorganised by comparison. Read more... |
Rock ‘n’ Roll Island: Where Legends Were Born, BBC Four review - remembering rock's big bangSaturday, 28 March 2020
“Friday night is Amami night” – that was the ad that ran from the 1920s through to the 1950s for a brand of “setting lotion”, a delightfully old-fashioned term. Those were the days when young women stayed home and did their hair, in preparation for a Saturday night out. Read more... |
ReMastered: Devil at the Crossroads, Netflix review - a story well told but marred by clichéd styleSaturday, 28 March 2020
Mississippi bluesman Robert Johnson’s reputation was much enhanced by the story – never substantiated – that he’d met with the devil one night at a crossroads, and was miraculously taught exquisite guitar licks that astounded his juke-joint audiences and later the world. Read more... |
Mister Winner, BBC2 review - gentle comedy about one of life's losersThursday, 26 March 2020
Spencer Jones, a clownish stand-up, has been responsible for some the cheeriest, daftest and most heart-warming shows at the Edinburgh Fringe, where he has twice been nominated in Dave's Edinburgh Comedy Awards (ECA). Others may know him from his scene-stealing turn in Upstart Crow, where he channels Ricky Gervais in the character of Will Kempe. Read more... |
Pages
latest in today
The Beast review - bad cop blues
“They say we all have a beast locked up inside of us,” a character observes early in this...
Gators, Tramp Productions online review – the glittering dar...
She’s an ordinary young woman, and she really doesn’t know what to think. After all, things are way out of control. She knows that the natural...
ZZ Top: That Little Ol' Band From Texas, Netflix review...
ZZ Top always seemed like a Texan version of Status Quo. It turns out, from watching this entertaining but hardly revelatory documentary, that...
Remembering John Prine, one of the great American singer-son...
John Prine, who has died at the age of 73 from a Covid 19-...
Wonderland, Hampstead Theatre online review - a major play a...
The talk is of an “economy in ruin [with] unemployment through the roof”: a précis of Britain in lockdown? In fact, this is one of the many eerily...
Joe Boyd's Recording Heaven
When it comes to making records, I love deadlines. Embarking on an open-ended project, particularly with the infinite number of overdubs made...
The Rake's Progress, Complicité online review - well-pr...
One way to look at Stravinsky's celebrated collaboration...
Mark Townsend: No Return review - a masterclass in journalis...
When Amer Deghayes departed for Syria in a truck leaving from Birmingham, a worker from a youth arts organisation in Brighton had been trying to...
Return to Belsen, ITV review - Jonathan Dimbleby retraces hi...
When the notorious Bergen-Belsen concentration camp in northern Germany was liberated by the British 11th Armoured Division on 15 April...
The Iron Mask review - preposterous multi-national fantasy
Director Oleg Stepchenko’s follow-up to his 2014...