fri 10/07/2020

religion

Album: Bab L'Bluz - Nayda

Bab L’Bluz are a Franco-Moroccan band, They’re the latest in a succession of musicians - going back to the pioneers Nass El Ghiwane, and the recently departed Rachid Taha - to have created a vibrant fusion of traditional sounds from the Maghreb with...

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Krabi, 2562 review - a trance-like visitation

Have you ever visited a destination you saw on film, only to realise it’s not quite how you imagined? Filled with tourists, the scars of mass visitation, and caught between its own culture and staying commercially attractive. The Thai city of Krabi...

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Album: The Soft Pink Truth - Shall We Go On Sinning So That Grace May Increase?

Drew Daniel is never short of concepts, invention or mischief. As one half of Matmos, with his life partner M.C. Schmidt, he has made some 10 official albums and many more collaborative ones – all pushing the boundaries of electronic bricolage and...

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Drawing the Line, Hampstead Theatre online review - modern history becomes dark farce

This week’s gem from the Hampstead’s vaults is Howard Brenton’s political drama from 2013, telling the extraordinary, stranger-than-fiction story of Cyril Radcliffe and his 1947 mission: to arrange the Partition of India in just five weeks. A tale...

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Classical Music/Opera direct to home 6 - Parsifals for Easter

Wagner's final drama, of learning, suffering and redemption through compassion, is second only to Bach's Passions at this time of year, and seems likely to strike a special note in the present crisis. Opera companies around the world, making much in...

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Jane Eyre, National Theatre at Home review - a fiery feminist adaptation

The National Theatre’s online broadcasts got off to a storming start with One Man, Two Guvnors – watched by over 2.5 million people, either on the night or in the week since its live streaming, and raising around £66,000 in donations. Let’s hope...

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Album: Shabaka & the Ancestors - We are Sent Here by History

Londoner Shabaka Hutchings's other main groups, The Comet Is Coming and Sons Of Kemet, are pretty modernist. They incorporate dub, post-rock, post punk and rhythm patterns that recall London pirate radio sounds into the playing of his ensembles,...

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Missa solemnis, BBCSO, Runnicles, Barbican review - affirmation in the face of adversity

The tough, knotty writing of the Missa solemnis – its “unrelenting integrity”, Donald Runnicles said in a pre-concert interview – was addressed unflinchingly last night by the BBC Symphony Orchestra and Chorus. They have a distinguished history with...

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Christos Tsiolkas: Damascus review - the author of The Slap goes biblical

To Christos Tsiolkas fans expecting something in the vein of his riveting bestsellers The Slap and Barracuda, the sixth novel by this Australian writer may come as a shock. We're not in Melbourne any more. Damascus is a serious historical enterprise...

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The Prince of Egypt, Dominion Theatre review - Moses musical goes big and broad

The theatre gods rained down not fire and pestilence, but a 45-minute technical delay on opening night of this substantially revised musical – a stage adaptation of the 1998 DreamWorks animated movie. But nothing could entirely halt this juggernaut...

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Young, Sikh and Proud, BBC One review - siblings divided by their attitudes to faith

Journalist Sunny Hundal has a long track record as a writer and blogger concerned with issues of race, politics and ethnicity. He’s also the brother of the late Jagraj Singh, an influential preacher who encouraged a dramatic upsurge of interest in...

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Faustus: That Damned Woman, Lyric Hammersmith review - gender swap yields muddled results

Changing the gender of the title character “highlights the way in which women still operate in a world designed by and for men,” argues Chris Bush, whose reimagining of Marlowe’s play premieres at the Lyric ahead of a UK tour. It’s certainly a...

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