Album: Nick Mulvey - Dark Harvest Pt.1

Fourth album from unique singer-songwriter is patchy but contains gold

share this article

Cross to bare

Nick Mulvey’s first two albums, First Mind in 2014 and Wake Up Now in 2017, are among the loveliest singer-songwriter fare released this century. With his last album, 2022’s New Mythology, his ayahuasca-fuelled search for spiritual meaning went full-blown mystic. Where has it led him? To Jesus.

The first Dark Harvest album (the second is due in the autumn) is touched by Christianity, notably on the slightly preachy “My Maker” (“God shares His secrets with those who fear Him”). But, like Bob Dylan’s first Born Again outing, Slow Train Coming, upon occasion the spark of religion lights the fuse of creativity.

Mulvey has stated the album “tracks the descent and grief that hit me in the last three years”. Specifics are unsaid, but his cover of Annie Lennox’s “No More ‘I Love You’s” is a shimmering disconsolate thing, and across the album his voice seems even more skinlessly raw than usual. His extraordinary Afro-flecked finger-picking guitar style is intact, revolving patterns accompanying lyrics that wander gnomically between belief and wonder.

The calibre of songwriting isn’t as consistent as previous outings. The album becomes less as it goes along. But the first half contains classic Mulvey moments, chief of which is the stunning, ecstatic “River to the Real”, which shows he can still match his best work. Other gems include “Solastagia”, which may be a wrenching spiritualist rumination on those who’ve passed, the bubbly brass-speckled “Radical Tenderness” (“Would you rather be right or free now?”), and the airy, pared-back title song.

Sometimes, the new age hippiedom becomes too much, as on a track which is an ansaphone message from a female friend (“I just have a few thoughts to share. I was thinking about that saying… you once shared… with me… it touched me deeply - rejection is God’s protection! Whew! Even to say it now makes me breathe deeper.”). But Mulvey’s heartfelt ponderings are also the antithesis of an age where wealth is sole god. He pleads for cosmic beauty as our world grows ever uglier. It’s an unlikely path these days. It seems worthwhile to keep travelling with him a while yet.

Below: watch the video for "Radical Tenderness" by Nick Mulvey

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Mulvey’s heartfelt ponderings are the antithesis of an age where wealth is sole god

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more new music

A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction
Neo-folk songs that are woozy and atmospheric but thoroughly engaging