thu 22/05/2025

tv

The Potato Lab, Netflix review - a K-drama with heart and wit

Helen Hawkins

When the world’s darkness is too much, there is a Netflix rabbit-hole you can disappear down to a kinder place: the Korean romcoms section. This is a recommendation for romcom fans, a warm indulgent bubble bath of a watch. It's like turning the clock back to more innocent times, while full of contemporary pizzazz. 

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Adolescence, Netflix review - Stephen Graham battles the phantom menace of the internet

Adam Sweeting

A dictionary definition of adolescence is “the transitional phase of growth and development between childhood and adulthood”, but in this four-part drama it looks more like a nightmare zone of uncontrolled rage, anxiety and sexual confusion.

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Drive to Survive, Season 7, Netflix review - speed, scandal and skulduggery in the pitlane

Adam Sweeting

Last year’s sixth season of Drive to Survive radiated an air of diminishing returns. It was as though the novelty of its spy-in-the-paddock ethos was wearing off as the Formula One teams sought to mould the show to suit their own interests, and what once felt spontaneous had begun to seem rehearsed.

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A Cruel Love: The Ruth Ellis Story, ITV1 review - powerful dramatisation of the 1955 case that shocked the public

Adam Sweeting

The story of Ruth Ellis’s execution in 1955 has found its own macabre niche in British folklore, and has been been the subject of several film, stage and TV treatments. Perhaps the most memorable of these was Mike Newell’s 1985 film Dance with a Stranger, in which Miranda Richardson played Ellis.

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Towards Zero, BBC One review - more entertaining parlour game than crime thriller

Helen Hawkins

The BBC’s latest “cool” Agatha Christie adaptation has many hallmarks of the decidedly dark ones that were considered prestige Christmas treats until recently. But although it’s lovely to look at, it’s low on chills and thrills.

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Bergerac, U&Drama review - the Jersey 'tec is born again after 34 years

Adam Sweeting

They stopped making the BBC’s original Bergerac in 1991, so you can hardly complain that this reboot is premature. John Nettles became closely identified with the titular detective Jim Bergerac before he decamped to Midsomer, murder capital of the world, and has declared himself impressed with Damien Molony’s performance as the born-again sleuth (pictured below, Molony picks up the baton from Nettles).

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A Thousand Blows, Disney+ review - Peaky Blinders comes to Ripper Street?

Adam Sweeting

Steven Knight is beginning to resemble the British version of Taylor Sheridan. While Sheridan has been saturating our screens with Yellowstone, 1923, Landman etc, Knight has been reeling off Peaky Blinders, SAS Rogue Heroes and even the story of opera star Maria Callas.

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Zero Day, Netflix review - can ex-President Robert De Niro save the Land of the Free?

Adam Sweeting

It seems that esteemed former US President George Mullen is subsiding gently into retirement on his luxurious country estate, with a publishing contract for his memoirs if he can ever manage to knuckle down and write them, when fate throws a curve-ball.

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The White Lotus, Series 3, Sky Atlantic review - hit formula with few surprises but a new bewitching soundtrack

Helen Hawkins

The return of Mike White’s hit series can be celebrated for one major reason: its extraordinary music. That may sound like a minor reason, but this third iteration of the show confirms that the show's sound world is key to its success.

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Hacks, Season 3, NOW review - acerbic showbiz comedy keeps up the good work

Adam Sweeting

Dying is easy, comedy is hard, according to the Georgian actor Edmund Kean. Luckily, everybody involved with the much-awarded Hacks understands precisely the creative anguish that top-flight comedy demands, and in its third season the show puts further expanses of clear blue water between itself and the competition.

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