tv
Deep State, Series 2, Fox review - covert conspiracies in AfricaFriday, 10 May 2019
Last year’s first season of Deep State featured cloak and dagger exploitations of chaos in the Middle East by the capitalist West and its intelligence services. Read more... |
Chernobyl, Sky Atlantic review - a glimpse of ArmageddonWednesday, 08 May 2019
“I take it the safety test was a failure,” remarked Viktor Bryukhanov, director of Ukraine’s Chernobyl nuclear power station. You could say that again. Read more... |
Trust Me, Series 2 Finale, BBC One review - dodgy doctors and unreliable nursesWednesday, 08 May 2019
Writer Dan Sefton’s four-part hospital drama reached a modestly satisfying conclusion as the phantom killer stalking the wards was finally unmasked, following the usual twists and misdirections obligatory in thrillerland. Read more... |
Line of Duty, BBC One, series 5 finale review - big highs and BiggeloeMonday, 06 May 2019
The porn was a bit disappointing, was it not? Dear old Ted, no longer romantically active, admitted to being a user. The Superintendent Hastings fanclub sighed for sorrow to witness him toss away his status as an essentially decent heartthrob for the Saga generation. Sorry for your loss, ladies. It was also disappointing because the high-risk act of wiping his laptop turned out to have such a bathetic explanation. Read more... |
My Extreme Drugs Diary, Channel 5 review - the tedium of taking heroinFriday, 03 May 2019
Jacob has just managed to shoot up. No easy matter because his veins are, he says, non-usable, and are like those of an 80-year-old man. He’s in his twenties and has been on heroin for six years. Unusually, he works full time, has a car and a flat – blood-spattered ones. When the heroin kicks in he doesn’t feel stoned but as if he could “work on some graphic design or art work”. Read more... |
The Widow, Series Finale, ITV review - Congolese drama parts company with realityWednesday, 01 May 2019
Are brothers Harry and Jack Williams mounting a takeover bid for British TV? They’ve written (among other dramas) The Missing, Liar and Baptiste, and they produced Fleabag. However, judging by their co-writing efforts on The Widow (ITV) they’re spreading themselves thin. Read more... |
Bake Off: The Professionals, Channel 4 review - farcical but funWednesday, 01 May 2019
TV cooking shows are mostly a pain in the butt. Masterchef, featuring the thuggish Gregg Wallace and John Torode along with India Fisher’s excruciatingly arch voiceover, is enough to provoke a massed hunger strike. The BBC’s Great British Bake Off may have featured national treasure Mary Berry, but her Miss Marple-ish charm was undermined by the ostentatiously pointless Mel and Sue. Read more... |
Game of Thrones, Sky Atlantic review - The Battle of WinterfellTuesday, 30 April 2019
It’s been a memorable few days for audiences – big-screen and small – who happily invest years of their lives in epic storytelling. With the dust still settling on Avengers: Endgame, the final season of Game of Thrones has reached its mid-point with one of the most extraordinary episodes in its impressive history. Read more... |
Run for Your Life, ITV review - giving the nation's youth a sporting chanceWednesday, 24 April 2019
With the knife crime epidemic seemingly raging out of control, and the government at its clueless worst as it stumbles around hoping for a quick fix, here was a look at a possible solution. Read more... |
Looking for Rembrandt, BBC Four review - painter's biog is a mini-masterpieceWednesday, 24 April 2019
This final episode of BBC Four's Looking for Rembrandt, exploring the life and work of the Netherlands’ greatest painter, was a mini-masterpiece in itself. We rejoined the story in the mid-1650s, when Rembrandt found that his days of popular acclaim and patronage by heads of state and the nobility were behind him... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
Hatton Garden, ITV review - ancient burglars bore again
Have we passed peak Hatton Garden? It’s now four years since a gang of old lags pulled off the biggest...
Primal Scream, The Haunt, Brighton review - up-close, short,...
Primal Scream have played in this city, in the recent past, at the 4,500 capacity...
First Person: Conductor Maxime Pascal on Stockhausen at the...
Stockhausen stands alongside Monteverdi and Beethoven as a ...
Anish Kapoor, Lisson Gallery review - naïve vulgarity and ot...
There are children screaming in a nearby playground. Their voices rise and fall, swell and drop. Interspersed silences fill with the sound of...
Cannes 2019: Diego Maradona review - entertaining but skin-d...
Director Asif Kapadia's documentary on the...
Thatcher: A Very British Revolution, BBC Two review - demoli...
Is there some tongue-in-cheek irony in BBC Two...
Blu-ray: The Woman in the Window
The Woman in the Window (1944) was the first of the two riveting...
Game of Thrones, Sky Atlantic, Series 8 Finale review – who...
WARNING - CONTAINS SPOILERS! And so it’s over. Eight years of thrilling, fantastical, often emotionally devastating, in some senses ground-...
Sting and Shaggy, Roundhouse review - wilfully uncool and ir...
Musical odd couples don't come much stranger than Sting and Shaggy. Last night, at the...
La Damnation de Faust, Glyndebourne review – bleak and compe...
Mid-career, moving ever further away from composing for concert platform and church towards the stage,...