sat 28/12/2024

adaptation

Natasha, Pierre & the Great Comet of 1812, Donmar Warehouse review - a blazingly original musical flashes into the West End

Broadway shows sometimes hit the West End like, well, like a comet, burning brightly but briefly (Spring Awakening, for example), while others settle into orbit illuminating Shaftesbury Avenue with a neon blaze every night for years.So it might be a...

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The Devil Wears Prada, Dominion Theatre review - efficient but rarely inspired

It's second time only quasi-lucky for The Devil Wears Prada, the stage musical adaptation of the much-loved Meryl Streep film from 2006 that nosedived in Chicago a few summers ago and has resurfaced on the West End to see another day.Refitted with a...

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Hansel and Gretel, Shakespeare's Globe review - too saccharine a retelling for our times

Growing up within a few hundred yards of a major dock, I hardly knew darkness or quiet – the first time I properly felt their terrible beauty was on the Isle of Man ferry in the middle of the Irish Sea, its voids still vivid half a century on....

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Nightbitch review - Mother's life as a dog

Rachel Yoder says she wrote her debut novel Nightbitch as a reaction to Donald Trump’s first term as President, with what she saw as its consequent mood-shift in America towards “traditional values and women staying home, taking care of the kids.”It...

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The Lightning Thief: The Percy Jackson Musical, The Other Palace - all Greek to me

Percy Jackson is neither the missing one from Jackie, Tito, Jermaine, Marlon and Michael, nor an Australian Test cricketer of the 1920s, but a New York teenager with dyslexia and ADHD who keeps getting expelled from school. He’s a bit of a...

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The Buddha of Suburbia, Barbican Theatre review - farcical fun, but what about the issues?

Hanif Kureishi’s 1990 novel The Buddha of Suburbia begins like this: “My name is Karim Amir, and I am an Englishman born and bred, almost”. Almost. Yes, that's good. We are in 1970s south-east London, and this immediately introduces, despite its...

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How To Survive Your Mother, King's Head Theatre review - mummy issues drive autobiographical dramedy

It is unsurprising to learn in the post-show Q&A that each audience receives Jonathan Maitland’s new play based on his 2006 memoir differently. My house laughed a lot (me especially) but some see the tragic overwhelming the comic, and the laughs...

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Dr Strangelove, Noël Coward Theatre review - an evening of different parts

Even by Stanley Kubrick’s standards, Dr Strangelove went through an extraordinary evolutionary process. After starting it off as a serious film about nuclear war based on the 1958 novel Two Hours to Doom, he decided to turn it into a comedy with the...

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London Film Festival 2024 - Nickel Boys, crime and punishment and Ukraine

RaMell Ross’s feature debut follows his poetic documentary Hale County This Morning, This Evening (2018) in again observing black Southern teenage boys, this time in Sixties juvenile prison the Nickel Academy, where beatings and unmarked graves...

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The Forsyte Saga Parts 1 and 2, Park Theatre review - if Chekhov did soap operas

The misadventures and misbehaviours of the English upper-middle class is catnip for TV executives. All those posh types on which us hoi polloi can sit in delicious self-righteous judgement, as we marvel at their cut glass accents, well-tailored...

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Rivals, Disney+ review - adultery, skulduggery and political incorrectness

Delirium has greeted Disney’s eight-part adaptation of Jilly Cooper’s 1988 novel Rivals (part of her Rutshire Chronicles series).Perhaps it’s nostalgia for the previously-unloved Eighties, or maybe it’s because its non-stop conveyor belt of adultery...

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Salem’s Lot review - listless King remake

A boy’s dead friend scratching at his first-floor window, Nosferatu-like vampire Barlow rearing up with heart attack shock…The Texas Chain Saw Massacre director Tobe Hooper’s 1979 TV take on Stephen King’s Salem’s Lot scared a teen generation out of...

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