wed 15/05/2024

tv

A Ghost Story for Christmas: Lot No 249, BBC Two review - mummy's boy unleashes hell in the halls of academe

Adam Sweeting

Having previously brought us adaptations of M R James’s ghost stories, reviving the BBC tradition inaugurated by Lawrence Gordon Clark in the 1970s, Mark Gatiss has now turned to a short story by Arthur Conan Doyle for his annual Christmas chiller.

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The Heist Before Christmas, Sky Max review - the Santa Claus wars

Adam Sweeting

Not just one, but two Santas in this agreeable seasonal romp. It’s set in small-town Northern Ireland, where single mum Patricia (Laura Donnelly) is struggling to bring up her two young sons, Mikey (Bamber Todd) and Sean (Joshua McLees).

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Blood Coast, Netflix review - mayhem in Marseille

Adam Sweeting

The original title of this French crime drama was Pax Massilia, a reference to the classical roots of its setting in what is now known as Marseille. Dating back to the 6th Century BC, it’s supposedly the oldest city in France. An atmospheric mix of architectural styles, dramatic views, a Mediterranean climate and multiple ethnicities, it makes the perfect stage for this fast-paced and sometimes horrifically violent thriller.

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Vigil, Series 2, BBC One review - DCI Silva swaps a submarine for deadly drones

Adam Sweeting

In its first series in 2021, Vigil delivered a claustrophobic though frequently absurd tale of murder and Russian spies aboard a British nuclear submarine. This time around it’s the RAF under the spotlight, though its name has mysteriously been changed to the British Air Force.

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Kin, BBC One review - in Dublin's not-so-fair city

Adam Sweeting

Folklore tends to depict Dublin as a convivial and picturesque city, with a bar on every corner full of revellers on wild stag weekends, but that’s not what we find in Kin. This is a chilly, menacing Dublin, full of modern but charmless architecture and gripped by organised crime.

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Boat Story, BBC One review - once upon a time in Yorkshire

Adam Sweeting

It was as long ago as January last year that the prolific Williams brothers, Jack and Harry, delivered their absorbing Australian Outback thriller The Tourist. Hitherto, product seemed to have been pouring out of them almost hourly, whether it was Liar, The Missing and Baptiste or The Widow, Rellik and Angela Black.

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The Crown, Season 6, Netflix review - royal epic in a vain search for authenticity

Helen Hawkins

A man is taking his little dog for a late-night walk. This being the opening scene of The Crown’s final season, when the illuminated Eiffel Tower looms up at the end of his street we know exactly where we are, and exactly what the date is. 

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Brawn: The Impossible Formula 1 Story, Disney+ review - classic underdog tale of the little team that could

Adam Sweeting

When they read the roll-call of British Formula One champions, the likes of Jackie Stewart, Graham and Damon Hill and Nigel Mansell tend to grab the spotlight, but Jenson Button’s dramatic and totally unexpected win in 2009 is every bit as worthy of celebration.

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Shakespeare: Rise of a Genius, BBC Two review - the Bard's soul bared in hybrid drama-documentary

Gary Naylor

Four centuries on from the publication of the First Folio, is there anything new to be said about William Shakespeare?

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Shetland, Series 8, BBC One review - same place but a different programme

Adam Sweeting

The question they’re all asking is, can Shetland survive the loss of Douglas Henshall as DI Jimmy Perez? After all, it was Henshall’s shrewd and quietly anguished performance which gave the show much of its allure. And now there’s no Mark Bonnar either, who could always be relied on to add a soupçon of angst.

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