tv
Criminal Record, Apple TV+ review - law and disorder in HackneyFriday, 12 January 2024
It’s not easy to find a new way to package a drama about that perennially popular topic, the dark side of policing, but Criminal Record at least gets its ducks in a row with some strong writing by Paul Rutman and a strength-in-depth cast. Read more... |
Mr Bates vs The Post Office, ITV1 review - a star-packed account of an incendiary storySaturday, 06 January 2024
There isn’t a troupe officially called the Worshipful Company of British Character Actors, but there probably should be, given the sterling service it does for the nation, acting in prestige TV dramas based on real events. Toby Jones and Monica Dolan regularly top the bill in this genre, as they do in ITV’s Mr Bates vs The Post Office. Read more... |
The Tourist, Series 2, BBC One review - an amnesiac Jamie Dornan explores his Irish rootsWednesday, 03 January 2024
It was barely a month ago that screenwriters Jack and Harry Williams astounded viewers with Boat Story. Now they’re back with a sequel (or maybe just a continuation) of The Tourist, which debuted a year ago with its mind-bending story of the amnesiac Elliot Stanley (Jamie Dornan), who found himself all at sea in the Australian outback. Read more... |
Best of 2023: TVMonday, 01 January 2024
TV viewers can hardly complain about a lack of choice these days, though they might baulk at funding an ever-lengthening list of subscriptions. Read more... |
The Kemps: All Gold, BBC Two review - bickering with the Ballet boysSaturday, 30 December 2023
This is the follow-up to 2020’s The Kemps: All True, in which rock satirist Rhys Thomas assessed the Spandau Ballet boys as the band reached its 40th anniversary. This time, we rejoin Thomas as he spends a year as a fly on the wall in the chaotic lives of Martin and Gary, culminating in their plans to appear in the BBC’s New Year celebrations as 2024 dawns. Read more... |
Murder Is Easy, BBC One review - was this journey really necessary?Thursday, 28 December 2023
Well at least they haven’t changed the identity of the killer this time around, but the BBC’s new version of Agatha Christie’s 1939 novel has been modified in other ways. Screenwriter Siân Ejiwunmi-Le Berre and director Meenu Gaur have opted to move the story into the mid-1950s, introducing themes of racism, class prejudice and capitalist exploitation. Read more... |
Mad About the Boy: the Noël Coward Story, BBC Two review - the making of The MasterWednesday, 27 December 2023
They called Noël Coward “The Master”, and Barnaby Thompson's 90-minute documentary marking 50 years since his death reminded us why. Though there was nothing here in the way of hitherto unknown revelations, the tale of how a boy who left school at nine and had no musical training yet became one of the world’s most prolific playwrights and composers undoubtedly has something fantastical about it. Read more... |
A Ghost Story for Christmas: Lot No 249, BBC Two review - mummy's boy unleashes hell in the halls of academeSunday, 24 December 2023
Having previously brought us adaptations of M R James’s ghost stories, reviving the BBC tradition inaugurated by Lawrence Gordon Clark in the 1970s, Mark Gatiss has now turned to a short story by Arthur Conan Doyle for his annual Christmas chiller. Read more... |
The Heist Before Christmas, Sky Max review - the Santa Claus warsSunday, 24 December 2023
Not just one, but two Santas in this agreeable seasonal romp. It’s set in small-town Northern Ireland, where single mum Patricia (Laura Donnelly) is struggling to bring up her two young sons, Mikey (Bamber Todd) and Sean (Joshua McLees). Read more... |
Blood Coast, Netflix review - mayhem in MarseilleSaturday, 16 December 2023
The original title of this French crime drama was Pax Massilia, a reference to the classical roots of its setting in what is now known as Marseille. Dating back to the 6th Century BC, it’s supposedly the oldest city in France. An atmospheric mix of architectural styles, dramatic views, a Mediterranean climate and multiple ethnicities, it makes the perfect stage for this fast-paced and sometimes horrifically violent thriller. Read more... |
Pages
latest in today
London Tide, National Theatre review - haunting moody river...
“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...
Jonathan Pie, Duke of York's Theatre review - spoof pol...
If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...
Baby Reindeer, Netflix review - a misery memoir disturbingly...
Richard Gadd won an Edinburgh Comedy Award in 2016 with...
Machinal, The Old Vic review - note-perfect pity and terror
Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...
Fantastic Machine review - photography's story from one...
The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...
Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...
If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...
All You Need Is Death review - a future folk horror classic
Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...
Album: Jonny Drop • Andrew Ashong - The Puzzle Dust
As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...
theartsdesk on Vinyl: Record Store Day Special 2024
Record Store Day is tomorrow! At theartsdesk on Vinyl...
If Only I Could Hibernate review - kids in grinding poverty...
Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...