tue 11/08/2020

police

A White, White Day review - white heat

This Icelandic film begins in the titular land of steam, as rain and mist envelop an erratic car which soon tumbles to its doom. The wife of rural policeman Ingimundur (Ingvar Sigurdsson) was driving, and the mystery of her death and open, infinite...

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Code 404, Sky One review - surreal cop comedy presses the right buttons

DI John Major (Daniel Mays) has been dead a year, shot in the line of duty, though we’re far from that series in terms of tone. Now he’s back at the London Met, artificially augmented, but not very intelligently. If anything he’s a bit more shit...

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Van der Valk, ITV review - can the Dutch detective make a successful comeback?

Between 1972-1992 five series of Van der Valk were made for ITV, starring Barry Foster as the eponymous Amsterdam detective. Nearly 30 years later comes this reincarnation with Marc Warren in the title role, no doubt hoping to find a regular home in...

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Pass Over, Kiln Theatre review - fierce critique of racist brutality

The Black Lives Matter movement is such an important international protest that it is odd how few contemporary plays even mention it. Since the hashtag #BlackLivesMatter has been around since 2013, following the acquittal of George Zimmerman who...

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The Haystack, Hampstead Theatre review - a chilling surveillance state thriller

With counter-terrorism an urgent concern – and specifically how best to find, track and use the data of suspected threats, without sacrificing our privacy and civil liberties – it’s excellent timing for a meaty drama about the surveillance state....

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Queen & Slim review - a stylish and raw tale of outlaws on the lam

There’s a palpable rage to Melina Matsoukas’ first feature film Queen & Slim, starring Get Out’s Daniel Kaluuya and newcomer Jodie Turner-Smith. Cast in the mould of Bonnie and Clyde, it’s a film that has you clinging to the arms of your seat...

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Deadwater Fell, Channel 4 review - dark murder mystery in a Scottish village

An idyllic Scottish classroom full of happy children making sponge paintings of flowers with two enthusiastic young teachers – clearly, doom is in the air. Here comes that sense of dread again a little later at a ceilidh in a village hall, with...

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Seberg review - lightweight script, heavyweight performance

It’s 1968, and Seberg leaves her husband, Romain Gary (Yvan Attal) and son, Alexandre (Gabriel Sky) for an audition in Hollywood. She seems happy to be going. Touching down in LAX she joins a group of black activists, led by Hakim Jamal (Anthony...

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White House Farm, ITV review - gripping opener of true crime drama

It's the smallest lies that can bring you down. When he is asked by a detective how he got on with his family, who have just been murdered in a mass shooting at their Essex farm, Jeremy Bamber (Freddie Fox) says: “Really well. We were friends.” A...

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Motherless Brooklyn review – tic tec

Edward Norton has wanted to adapt Motherless Brooklyn since Jonathan Lethem’s acclaimed novel was first published 20 years ago. His film (as producer, writer, director and star) is an obvious labour of love, an evocative, entertaining, old-fashioned...

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21 Bridges review - police corruption thriller sets a cracking pace

Thanks to a powerful cast and crisp direction from Brian Kirk (Game of Thrones, Luther), 21 Bridges drives home its story of good cops, bad cops and a Big Apple rotten to the core with bulldozing force. Centre stage is Chadwick Boseman as Andre...

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Dublin Murders, Series Finale, BBC One review - eerie detective drama grips tightly

You wouldn’t expect a drama called Dublin Murders (BBC One) to be a laugh a minute, but the cumulative anguish, menace and torment of this eight-parter made it almost unbearable, even if viewers were thrown a tiny scrap of hope in the final frames....

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