1930s
Perry Mason, Sky Atlantic review - low life and hard times in Depression-era LATuesday, 23 June 2020
Rather like David Suchet’s Poirot, the world will always think of Raymond Burr as the doughty defence lawyer Perry Mason, whom he played in nine TV series and 26 TV movies between 1957 and 1993. But Burr’s Mason existed before the age of the prequel... Read more... |
Blu-ray: Destry Rides AgainTuesday, 19 May 2020
A calculatedly nostalgia-infused town-taming Western, 1939's Destry Rides Again out-sparkled Errol Flynn's contemporaneous light “oaters" and anticipated noir-tinged classics like My Darling Clementine (1946) and The Gunfighter (1950). Because it... Read more... |
Caroline Maclean: Circles and Squares review - adventurous art, progressive living and a good gossipMonday, 11 May 2020
There was a moment in the 1930s when it seemed that contemporary art, as practised in Britain, might join the mainstream of the Western avant-garde. Caroline Maclean makes a lively examination of this uneasy decade, centring mostly on the circle of... Read more... |
Sinatra: All Or Nothing At All, Netflix review - epic two-parter on pop's first superstarThursday, 26 March 2020
Coming in at around four hours, in two parts, this 2015 documentary is ostensibly about Ol’ Blue Eyes, Frank Sinatra, but really, via the prism of his existence, it’s as much about America’s journey through the first two thirds of the 20th century.... Read more... |
Max Raabe, Palast-Orchester, Cadogan Hall review - escapism with ironyThursday, 05 March 2020
Escapism sometimes feels not just useful but necessary. To be carried back, for an evening, to the world of the 1920s/1930s dance band, with foxtrots, pasodobles, crisp starched collars and secco endings, of slick hair and even slicker arrangements... Read more... |
Cosi fan tutte, English Touring Opera review - a blissful, uncomplicated delightMonday, 02 March 2020
Cosi fan tutte is, as the opera’s subtitle clearly tells us, “A School for Lovers”. But too often these days it can feel like a school for the audience. Joyless productions lecture us sternly on the battle of the sexes – on chauvinism, feminism,... Read more... |
Mr Jones review - a timely testament to journalismFriday, 07 February 2020
While the horrors of Hitler’s rule are well documented, Joseph Stalin’s crimes are less renowned, so much so that in a recent poll in Russia he was voted their greatest ever leader. This chilling fact made acclaimed director Agnieszka Holland feel... Read more... |
Filmmaker Agnieszka Holland: 'Without journalism, democracy will not survive'Tuesday, 04 February 2020
Agnieszka Holland is one of Europe's leading filmmakers. Growing up in Poland under Soviet rule, her films have often tackled the continent's complex history, including the Academy Award-nominated Europa, Europa, In Darkness and Angry Harvest. In... Read more... |
Mephisto [A Rhapsody], Gate Theatre review - the callowness of historyThursday, 10 October 2019
You wonder about the title of French dramatist Sam Gallet’s Mephisto [A Rhapsody], an adaptation for our days of Klaus Mann’s 1936 novel about an actor unable to resist the blandishments of fame, even if they come at the cost of losing himself.... Read more... |
Youth Without God, Coronet Theatre review - the chill control of nascent NazismTuesday, 24 September 2019
The only novel by the Hungarian dramatist Ödön von Horváth, Youth Without God was written in exile after he fled Anschluss Vienna and published in 1938, shortly before his death. In the English-speaking world, we know von Horváth for his plays,... Read more... |
For Services Rendered, Jermyn Street Theatre review – uneven revival of 1930s dramaThursday, 12 September 2019
“I don’t think I have the right to influence her,” says an older character of her daughter in For Services Rendered, W Somerset Maugham’s 1932 anti-war drama. If only all elder statesmen and women felt the same about the youth. Tom Littler’s revival... Read more... |
Evita, Regent's Park Open Air Theatre review - a diva dictator for 2019Friday, 09 August 2019
Following a triumphant resurrection of Jesus Christ Superstar, now playing at the Barbican, the Park works its magic on another of Andrew Lloyd Webber and Tim Rice’s Seventies rock operas. Jamie Lloyd’s stripped-down, super-sleek, contemporary take... Read more... |
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