1930s
Psappha, Kok / Kempf, Northern Chamber Orchestra, Stoller Hall, Manchester review - new and oldSaturday, 29 September 2018
The Stoller Hall, the modest-size auditorium inside Chetham’s School of Music, is really proving itself to be the venue Manchester has long needed this season. Two concerts on successive days, each the first of a series and both making something of... Read more... |
Elisabeth Leonskaja, Wigmore Hall review - Mozart and Webern, anyone?Saturday, 15 September 2018
“What is it about Mozart?” wondered the legendary pianist Sviatoslav Richter, pointing out the composer's frightening demands of accuracy and lucidity. Even though many pianists today command technique to spare, a Mozart fear factor tends to keep... Read more... |
Blu-ray: My Man GodfreyFriday, 14 September 2018
Life has sped up so, so much in the 82 years since My Man Godfrey appeared. The narrative pacing of many Hollywood films from that era seems painfully slow to modern viewers. My Man Godfrey, on the other hand, watched here in the company of a 15-... Read more... |
Prom 66, Wang, Berlin Philharmonic, Petrenko review - intense perfectionSunday, 02 September 2018
Setting aside any reservations about a slight overall timidity in repertoire choices - no problems with that last night - this year's Proms have worked unexpectedly well, above all with their weekend strands. The trump card with the usual roster of... Read more... |
Prom 54, Richter, Budapest Festival Orchestra, Fischer review - independent-minded Hungarians returnThursday, 23 August 2018
Two heartening facts first. Iván Fischer's much-loved crew remains one of the few world-class orchestras with an individual voice, centred on lean, athletic strings adaptable to Fischer's febrile focus (perfect for Enescu and Bartók, not quite so... Read more... |
Box office poison? Joan Crawford at BFI SouthbankMonday, 30 July 2018
What’s that? Joan Crawford had no sense of humour? Well, take a look at It's A Great Feeling. It’s a pretty bizarre (and pretty bad) 1949 musical with Jack Carson and Dennis Morgan playing themselves running round the Warner Brothers lot... Read more... |
Georges Simenon: The Krull House review – timely revival for a noir masterworkSunday, 08 July 2018
Georges Simenon began to write his Inspector Maigret mysteries in the early 1930s. Not long after after, the famously productive Belgian-born novelist – who could polish off a Maigret inside a fortnight – branched out into more ambitious, less... Read more... |
The Prime of Miss Jean Brodie, Donmar Warehouse review - Lia Williams makes an iconic role her ownThursday, 14 June 2018
Lia Williams can be said to have been in her prime ever since the double-whammy several decades ago when she appeared onstage in fairly quick succession in Oleanna and then the original, and unsurpassable, production of Skylight. But she's rarely... Read more... |
Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mindTuesday, 05 June 2018
Not far into Aftermath, Tate Britain’s new exhibition looking at how the experience of World War One shaped artists working in its wake, hangs a group of photographs by Pierre Anthony-Thouret depicting the damage inflicted on Reims. Heavy censorship... Read more... |
Effigies of Wickedness, Gate Theatre review - this sleek cabaret conceals desolation behind a smileThursday, 17 May 2018
The show’s subtitle – “Songs banned by the Nazis” – is a catchy one, and somewhere under the confetti, the stilettos, the extravagant nudity, the sequins and even shinier repartee that are wrapped around Effigies of Wickedness like a mink coat on... Read more... |
Andsnes, LPO, Jurowski, RFH review - dazzling symphonic contrasts, plus odditiesThursday, 19 April 2018
Kudos, as ever, to Vladimir Jurowski for making epic connections. Not only did he bookend a rich LPO concert with two very different symphonies from the late 1930s by Stravinsky and Shostakovich; he also masterminded and attended the early evening... Read more... |
The Moderate Soprano, Duke of York's Theatre review - love and opera with a flinty edgeSaturday, 14 April 2018
"What could be more serious than married life?" asked Richard Strauss, whose operas became a surprising pillar of Glyndebourne's repertoire some time after the early days dramatised in David Hare's play. "Honour" might have been the answer of... Read more... |
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