wed 15/05/2024

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Expressionists: Kandinsky, Münter and the Blue Rider, Tate Modern review - a missed opportunity

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Stephen review - a breathtakingly good first feature by a multi-media artist

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Fantastic Machine review - photography's story from one camera to 45 billion

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Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight

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The Last Year of Darkness review - a loving portrait of a Chengdu gay bar

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Driving Mum review - a dark comedy that has you laughing out loud

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Sargent and Fashion, Tate Britain review - portraiture as a performance

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Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction

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Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years

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When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun

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The Settlers review - a western populated only by anti-heroes

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Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past

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Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations

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The Disappearance of Shere Hite review - the rise and fall of a woman who dared to explore female sexuality

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Queendom review - an LGBTQ+ performance artist takes to the streets of Moscow in protest

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Women in Revolt!, Tate Britain review - a super important if overwhelming show

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latest in today

Hoard review - not any old rubbish

A visually dazzling, fiercely acted psychological drama with a manic comic edge, Hoard channels an 18-year-old South Londoner’s quest to...

Hidden Door 10th Birthday Party, St James Quarter, Edinburgh...

It’s hard to imagine that The Arches – a string of stylish glass-fronted units in prime city centre location, housing boutique bars,...

Blu-ray: Chocolat

Claire Denis’ 1988 debut is a sensual madeleine to her Cameroonian childhood, with its taste of termites on butter, sound of birdsong and insect...

Coote, LSO, Tilson Thomas, Barbican review - the triumph of...

Programme notes for Mahler’s monumental symphonies will often...

Conchúr White, St Pancras Old Church review - side-stepping...

If there’s a feeling of déjà vu, it isn’t detectable. Conchúr White played St Pancras Old Church in April 2016 with County Armagh’s Silences, the...

DVD/Blu-ray: The Holdovers

Glance at The Holdovers’ synopsis and you might suspect that...

Rhod Gilbert, G-Live Guildford review - cancer, constipation...

Rhod Gilbert is disarmingly honest about his thought process when he received his diagnosis of head and neck cancer in 2022. Following quickly...

Pop Will Eat Itself, Chalk, Brighton review - hip hop rocker...

By midway, things are cooking. “Can U Dig It?”, a post-modern list-song from another age (Ok,...

Album: Beth Gibbons - Lives Outgrown

It’s been a long while since Beth Gibbons released an album. Portishead’s Third was out in 2008.  She has lived through so many...