tue 26/09/2017

Extract: Peter Brook - Tip of the Tongue: Reflections on Language and Meaning | reviews, news & interviews

Extract: Peter Brook - Tip of the Tongue: Reflections on Language and Meaning

Extract: Peter Brook - Tip of the Tongue: Reflections on Language and Meaning

The wisdom of a great theatre-maker: on Shakespeare and the 'empty space', and thinking between English and French

'Don’t take anything for granted. Go and see for yourself'Régis d'Audeville

A long time ago when I was very young, a voice hidden deep within me whispered, "Don’t take anything for granted. Go and see for yourself." This little nagging murmur has led me to so many journeys, so many explorations, trying to live together multiple lives, from the sublime to the ridiculous. Always the need has been to stay in the concrete, the practical, the everyday, so as to find hints of the invisible through the visible. The infinite levels in Shakespeare, for instance, make his works a skyscraper.

But what are levels, what is quality? What is shallow, what is deep? What changes, what always stays still?

This can now lead us together through many forms, at many times, in many places. To begin with, what is a word?

If we say to a child, “Be good”, the word “good” has its everyday commonplace meaning. If we rise above the ground level, the word “good” brings us to finer and finer shades of goodness. Even more so in French – Soyez sage, the parents say to their children, using sage, a word for wisdom. There are so many words that contain such promises. A “divine” evening. “Divine” belongs to the sky. To use “divine” casually makes the “sacred” lose all its meaning.

In the pages of my new book Tip of the Tongue: Reflections on Language and Meaning, we explore together the sometimes comic and often subtle differences between two languages that have lived together for so long – French and English.

With William the Conqueror, the Latin-based language penetrated into English and vastly enriched its vocabulary. For us, the Norman invasion was a blessing. On the other hand, the Anglo-Saxon idiom seemingly never penetrated beyond Agincourt. Thanks to this, French, with a much smaller vocabulary, became a vehicle for pure and crystal-clear thought. I must, however, warn any prospective reader that all comments on the French language in the book come necessarily from an Anglo-Saxon point of view.

After nearly half a century of living in France, when I ask for something, clearly, in a shop, the person serving me winces and immediately answers me in English. Either it is fear of not understanding the foreigner or else the pain of hearing their fine language mangled, its precise rules ignored. This has been a starting point for relishing the difference between two languages which are like chalk and cheese.

Over the years, I have wondered what is the mysterious relationship between a word and its real meaning. Words are often a necessity. Words, like chairs and tables, are necessary tools for navigating the everyday world. But it is all too easy to let the word itself take first place. The essence is meaning. Silence already has a meaning, meaning that is searching to be recognised through a world of changing forms and sounds.

Our lazy habit is to generalise. Look closer, however, and you will discover that, much as the atom – once opened – contains a universe, in the same way if we linger fondly within a phrase, we find within each word and every syllable that the resonances are never twice the same.

Over the years, I have wondered what is the mysterious relationship between a word and its real meaning

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