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We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts lovers and professionals alike – but the response to our appeal to help us relaunch and reboot has been something else.
Ben Ockrent’s Relics had me hooked from the moment the safety curtain started rising: a metal number with a banner of packing tape marked FRAGILE on it. As it rose, the teddy bear that had been lying in front of it was silhouetted, hanging from it by one arm.
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