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Thomas H. Green |

For many years Paul Weller had a conflicted relationship with the oldest parts of his back catalogue. It was rare to hear more than one of his pre-1990 songs in concert. Then he started slipping them in, but only a couple.

Kieron Tyler
“John Coltrane, he’s a major influence on this record. The instrumental on the A-side is an abstraction of the jazz musician named John Coltrane.…
Sarah Kent
Rambert is celebrating its first 100 years with a triple bill that emphasises the youthful vitality of the company. “We’re 100, and we’re just…
Helen Hawkins
The finale of the Royal Ballet’s 2025-26 programming is an extraordinary sight. At the curtain call for Salle de danse, a world premiere from Sol…

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Helen Hawkins
Joshua Harmon's three-hander offers a panoramic view of a fractured family
David Nice
Subtle, introspective 'Harold in Italy' followed by over-punchy 'Symphonie fantastique'
Thomas H. Green
The rain just about stays away as Eighties synth perennials stick to the hits
Rachel Halliburton
Semi-staged version brings a heightened appreciation of the symphony's jostle of voices
Demetrios Matheou
Martina Laird’s debut play is twisty, sexy and provocative
Adam Sweeting
Ten years later, the Euro-controversy still rages
Liz Thomson
Rufus Wainwright's final tribute to Judy Garland
Bernard Hughes
An enjoyable look at 'missingness' and how it affects the way we experience the world
David Nice
Cellist/singer with friends and top quartet make welcome returns to the DICMF
Boyd Tonkin
In concert, Mozart's farewell opera burns bright
Miranda Heggie
A sensational send off for one of the city's last industrial spaces
Bernard Hughes
Striking performances by a quartet with a strong sense of identity
Rachel Halliburton
A versatile ensemble of four brings the countercultural classic to life
stephen.walsh
Not much to look at, good on the ear
Guy Oddy
Independent Country’s shindig takes on a grey Saturday and wins out
Jonathan Geddes
Yorkshire sextet were exciting at times, but not consistently so
Kieron Tyler
Overdue - albeit digital-only - return of the former Servants lynchpin’s 2002 solo album
Nick Hasted
The Brat star convinces in a freewheeling, nouvelle vague-ish Polish excursion
Aleks Sierz
New play about the real and the fake in the online world is both humorous and distressing
Thomas H. Green
L.A.-based Welsh singer delivers a sweaty maximalist pop love-in
David Nice
'Santtu' clearly loves 'Symphonia Domestica', the composer's family mock-epic
David Nice
Mozart with other-worldly refinement, focused passion in Brahms
Bernard Hughes
This not-a-biography of the 80s pop icon feels like an overextended magazine feature
Demetrios Matheou
Fictionalised account of Keith Jarrett’s iconic concert feels as improvised as its subject

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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
For many years Paul Weller had a conflicted relationship with the oldest parts of his back catalogue. It was rare to hear more than one of…
“John Coltrane, he’s a major influence on this record. The instrumental on the A-side is an abstraction of the jazz musician named John…
Rambert is celebrating its first 100 years with a triple bill that emphasises the youthful vitality of the company. “We’re 100, and we’re…
The finale of the Royal Ballet’s 2025-26 programming is an extraordinary sight. At the curtain call for Salle de danse, a world premiere…
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