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Nick Hasted |

David Mackenzie’s second superbly marshalled thriller in a year makes an unexploded bomb the backdrop for a London heist and its chaotic aftermath. Like his Riz Ahmed/Lily James crime film Relay, Fuze’s multi-faceted narrative roots outrageous twists in character and professional process, found here in feuding squaddies, cops and thieves. 

aleks.sierz
Stories about slavery tend to be simplistic: white perpetrators are bad, black victims good. One of the more striking features of Winsome Pinnock’s…
Veronica Lee
Sarah Millican is at an age where she is pausing to reflect and in Late Bloomer, her most recent show – shown as a special on Channel 4 and Netflix…
Kieron Tyler
The opening track is Hoyt Axton’s “Evangelina.” After first appearing on the 1976 album Fearless it was re-recorded and issued as a flop UK single in…

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Matt Wolf
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Despite a mostly seated venue, the dance veterans got fans on their feet with ease
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Russia's Tarantino's Hollywood debut is derivative but delirious
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Rodney Ackland's 1935 play about loneliness deserves a higher-tech treatment
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A well-crafted sound that plays it a little too safe
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