This is Nicola Benedetti’s fourth opening concert while she has been in charge of the Edinburgh International Festival, and I suspect it might be the one she’s most proud of.
What would ol’ Shakey think of such liberties? Two plays that may or may not be a single narrative, which may or may not have a missing middle section, stitched together with a bit of text added here and a bit there. Then staged outside a toffs' school on Richmond Hill, far from the spit and sawdust of Southwark in every sense.
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Camp Bestival 2026, Lulworth Castle review - where the daytime magic still outshines everything else
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