London was where James Taylor got his big break when, after a rocky, drug-strewn apprenticeship in New York City, he reinvented himself as a solo performer and managed to get a demo tape to Peter Asher, who played it to his pal Paul McCartney. “Something in the Way She Moves” in particular caught the Beatle’s ear: "I just heard his voice and his guitar, and I thought he was great ...
Fans have been waiting for a new Strokes album for six years, and after a few listens, Reality Awaits left me feeling more disappointed than excited. There are moments where the band remind you why they've been one of the most influential rock bands of the last 25 years. The guitars still lock together effortlessly, the rhythm section is as tight as ever, and there are flashes of melodies that stick around long after the album ends.
Help secure the future of arts journalism
In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.
If you like what you see here, please join us in this mission.
Subscribing to the site will help us in our coming redesign and expansion.
If you do this before the 31st August this will be at our guaranteed founder’s rate:
your subs will never increase again.
Subscribe now for £5 per month.
or yearly for just £40.
Or if you simply want to support us with a one-off donation, you can do so here.
latest in today
Most read
