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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Two couples meet up for an apparently convivial meal, except that there’s a minefield under their feet. And when they trigger an explosion…
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O'Sullivan, Fantasia Orchestra, Fetherstonhaugh, Smith Square Hall review - the sassy airs of summer
Despite Proms appearances, I'm still not sure that Tom Fetherstonhaugh, mover and shaker of the young Fantasia Orchestra, has yet had quite…
The best thrillers have not one, but two twists. Often, there’s a predictable twist, and an unpredictable one. So it is with The Guilty,…
Elgar & Dvořák: Cello Concertos Alban Gerhardt (cello), WDR Sinfonieorchester/Andrew Manze (Hyperion)
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The “hiding in plain sight” technique has proved appallingly effective for a list of notorious sex offenders. When in doubt, get yourself a…
For factual footage from battle zones, we once used to rely on people toting heavy cameras who went in and out of the fields of war. The…
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“Hull Suite” is an important work in the canon of British-Bengali pianist Zoe Rahman, because it evokes themes – voyage, migration and…
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One sometimes finds oneself wondering whether Harlan Coben is an author or a set of AI procedures designed to manufacture plots of…
As a director François Ozon perpetually confounds, with a string of diverse films to his name (the intense 5X2 and the gambolling Potiche…
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John Carpenter's original The Thing from 1982 had punch, pace, shocks, horror, dramatic tension and Kurt Russell in the lead. It also had a…