sat 16/01/2021

Wigmore Hall

András Schiff, Wigmore Hall review - Bach in isolation

Amid madness, fear and death, there is still an oasis in the music of Bach - and Bach played by András Schiff in the Wigmore Hall is a special type of haven. Normally one can’t get in to those concerts because they are instantly sold out, even...

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Stile Antico, The Cardinall's Musick, Wigmore Hall online review – lightening our darkness

Suitably enough, this year’s musical Christmas arrived at the Wigmore not in a dazzle of joyful light and bedecked with winter greenery, but with a lonely band of singers facing the gloom of an unlit, empty hall as fear and confusion multiplied...

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Iestyn Davies, Arcangelo, Wigmore Hall review - heavenly Handel as the lights dim again

Just before the doors closed again on live audiences at the Wigmore Hall, Iestyn Davies and members of the Arcangelo ensemble celebrated the private side of a very public composer. The peerless counter-tenor, whose powerfully polished command of...

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Paul Lewis, Wigmore Hall review – Classical consolations

The key of C minor threw a dark shadow over music long before it became the tonality for Beethoven to express the struggle of one against many in the Fifth Symphony and the Third Piano Concerto. Mozart was a feted teenager and Beethoven a babe in...

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Doric Quartet, Wigmore Hall review – sombre reflections

With the wealth of online performances during the pandemic, it is easy to forget the regular offerings from the Wigmore Hall. The Hall found itself in a better position than most, as it was able to present its autumn schedule largely unchanged, the...

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Fatma Said, Joseph Middleton, Wigmore Hall review - song recital heaven

This was the first song recital back at the Wigmore Hall following the second lockdown with a (distanced, 25%) audience. And it was a joy to be back. Great singing. That superb acoustic. A completely rapt audience. And, miraculously, not a single...

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Christine Rice, Julius Drake, Wigmore Hall review - songs of love and death

It began as a Christmas present in the bleakest of winters. In December 1939, as war engulfed Europe, Bertolt Brecht sent a poem to the exiled Kurt Weill in New York. Weill set it as a bittersweet gift for his wife Lotte Lenya. “Nannas Lied” – the...

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Nicky Spence, Jess Dandy, Julius Drake, Wigmore Hall review – Moravian rhapsody

We don’t often see sultry come-to-bed moves in the Wigmore Hall, that chaste Parthenon of refined musical taste. But when Jess Dandy stretched out languidly on stage while offering to show Nicky Spence “how the gypsies sleep”, the temperature shot...

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Proust Night, Wigmore Hall review – the music of memory

In a bold first strike – straight to the gut, surely, for many in the audience – the Wigmore Hall’s “Proust Night” began with an old recording of the Berceuse from Fauré’s Dolly Suite. Clever. How apt that the signature tune from Listen...

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First Person: Cellist Alban Gerhardt on why concert-hall life must go on

With horror I heard on Wednesday that the proud cultural nation of Germany, which invests probably more money per capita in its concert, opera and theatre life than any other country in the world, had decided to close down what I as a German citizen...

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Pavel Kolesnikov, Wigmore Hall review - the stuff of dreams

To plan a programme around The Tempest, its symbolism and the idea of evanescence, the fragility of the human condition, is one thing. To pull it off convincingly is quite another. The young Russian pianist Pavel Kolesnikov not only did so in...

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Allan Clayton, Stephanie Wake-Edwards, James Baillieu, Wigmore Hall review - consummate musicality and technique

Last seen gurning and camping his way across the Royal Opera House stage in absurdist musical fantasy Frankenstein!!, it was a very different Allan Clayton who held the Wigmore Hall in stillness just a few nights later.We’ve seen a lot of the tenor...

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