Wigmore Hall
Ridout, 12 Ensemble, Wigmore Hall review - brilliant Britten and bombastic BrahmsThursday, 27 February 2025
Last night was the first time I had heard the 12 Ensemble, a string group currently Artist-in-Residence at the Wigmore Hall, and I was very impressed, both by the standard of the playing and the enterprising programming. This gave regular audience-... Read more... |
Mahan Esfahani, Wigmore Hall review - shimmering poise and radical brillianceSaturday, 01 March 2025
To watch Mahan Esfahani play the harpsichord is to watch a philosopher at work. While there’s often playfulness and shimmering levity you can feel the thought behind each note. The Iranian-American’s passion for the harpsichord began when he was... Read more... |
RAM Song Circle, Wigmore Hall review - excellent young musicians lift the spiritsMonday, 27 January 2025
After a week of illness, heading out into the Sunday afternoon cold and rain was not something I was overjoyed to undertake. But in the event this short Wigmore Hall recital by three young singers and their fellow student pianists was thoroughly... Read more... |
Giltburg, Pavel Haas Quartet, Wigmore Hall review - into the labyrinth of a Martinů masterpieceThursday, 23 January 2025
Serious realisation of the seven often thorny Martinů string quartets is a major undertaking. When I spoke to Veronika Jarůšková and Peter Jarůšek after an East Neuk Festival concert, they said they intended to do it slowly, with absolute commitment... Read more... |
Leif Ove Andsnes, Wigmore Hall review - colour and courage, from Hardanger to MajorcaTuesday, 14 January 2025
Forthright and upright, powerful and lucid, the frank and bold pianism of Leif Ove Andsnes took his Wigmore Hall audience from Norway to Poland (or rather, Paris and Majorca) with a final stop in France. A recital that began with two large-scale... Read more... |
Spence, Perez, Richardson, Wigmore Hall review - a Shakespearean journey in songMonday, 30 December 2024
“O stay and hear,” sings Twelfth Night’s jester Feste in his song “O mistress mine”, “your true love’s coming,/ That can sing both high and low.” And loud and soft, earthbound and airborne, Heldentenor-grave and night-club frivolous: Nicky Spence’s... Read more... |
The English Concert, Bicket, Wigmore Hall review - a Baroque banquet for ChristmasMonday, 23 December 2024
Enough is as good as a feast, they say. But sometimes, especially at Christmas, you crave a properly groaning table. At the Wigmore Hall, The English Concert, directed by Harry Bicket, concluded their festive Baroque banquet with Bach’s Magnificat... Read more... |
Rajakesar, Selaocoe, The Hermes Experiment, Wigmore Hall review - a joyful, fascinating laboratory of noiseMonday, 25 November 2024
There were points when this concert felt like the musical equivalent of watching the atom split – as well as notes there were animal shrieks, sinister rattles, sibilant serpentine sussurations, and primal throaty rumbles. Indian-American composer... Read more... |
La Serenissima, Wigmore Hall review - an Italian menu to savourTuesday, 19 November 2024
For 30 years, La Serenissima have re-mapped the landscape of the Italian Baroque repertoire so that its towering figures, notably Vivaldi, no longer look like isolated peaks but integrated parts of a spectacular range. The ensemble founded by... Read more... |
Roman Rabinovich, Wigmore Hall review - full tone in four stylesTuesday, 19 November 2024
Is this the same Roman Rabinovich who drew harp-like delicacy from one of Chopin’s Pleyel pianos, and seeming authenticity from a 1790s grand which may have belonged to Haydn, both in the Cobbe Collection at Hatchlands, Surrey? He clearly cares... Read more... |
Fauré Centenary Concert 5, Wigmore Hall review - a final flightWednesday, 06 November 2024
As Steven Isserlis announced just before the final work, in more senses than one, of a five-day revelation, the 79 year old Fauré’s last letter told his wife that “at the moment I am well, very well, despite the little bout of fatigue which is... Read more... |
Fauré Centenary Concert 1, Wigmore Hall review - Isserlis and friends soarMonday, 04 November 2024
Earlier this year, Steven Isserlis curated a revelatory Sheffield Chamber Music Festival spotlighting Saint-Saëns, with plentiful Fauré towards the end. Now it’s the younger composer’s turn, marking his death 100 years ago on 4 November 1924, but... Read more... |
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