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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Music Reissues Weekly: Vanilla Fudge - Where Is My Mind The...
Vanilla Fudge could provoke a strong reaction. Writing about them in 1982, Tom Hibbert – then best-known for his contributions to Smash Hits...
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It might be a push to call this documentary a feminist slant on Humphrey Bogart, but it wouldn’t quite be a shove. Northern Irish filmmaker...
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The Young Vic has opened under a new...
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It’s not often we hear barely a single gunshot in a movie set amid Mexican drug cartels, but that may be the way it is for people who actually...
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I don’t really want to talk about this year. Genuinely.
It’s been so horrific on the macro scale with deranged Fascism and the effects of...
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Judging by a Sunday Times interview last weekend, Daniel Craig now enjoys wearing brilliantly-coloured sweaters and extraordinary...
The Legends of Them, Royal Court review - reaching out for s...
I live in Brixton, south London. To get to the tube, I have to cross Windrush Square. Since 2021, I go past the Cherry Groce memorial, which...
William J. Mann: Bogie & Bacall review - beyond the scre...
What is it about Humphrey Bogart? Why does he still spark interest, still feel relevant, so many decades after his death? It’s a complex question...
Album of the Year 2024: Amelia Coburn - Between the Moon and...
I’ve known for some time that Ariel Sharratt & Matthias Kom’s Never Work is my Album of the Year. This lividly witty...