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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
La Serenissima, Wigmore Hall review – an Italian menu to sav...
For 30 years, La Serenissima have re-mapped the landscape of the Italian Baroque repertoire so that its towering figures, notably Vivaldi, no...
Roman Rabinovich, Wigmore Hall review - full tone in four st...
Is this the same Roman Rabinovich who drew harp-like delicacy from one of Chopin’s Pleyel pianos, and seeming authenticity from a 1790s grand...
Jon Fosse: Morning and Evening review - after thoughts
Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama,...
Blu-ray: Pharoah
Jerzy Kawalerowicz’s Pharoah (Faraon) is a state-funded superprodukcja, a 152-minute Polish epic, set, incongruously,...
Wyn, Dwyer, McAteer, RSNO & Choirs, Diakun, Usher Hall,...
Carmina Burana isn’t a masterpiece: it’s primarily a bit of fun; fun to listen to, fun to play, really fun to sing.
Few and far...
Kenny Barron Trio, Ronnie Scott's review - a master of...
Kenny Barron, revered as the best jazz pianist around, is a perfect gentleman and a master of “cool” – a quality once described in great depth by...
Gerhardt, BBC Philharmonic, Chauhan, Bridgewater Hall, Manch...
Anna Clyne’s This Moment had its UK ...
Album: Body Count - Merciless
Rapper, actor and occasional media celebrity, Ice-T’s heavy metal band, Body Count have been around since the early ‘90s and have turned out some...
Soundtrack to a Coup d'Etat review - jazz-themed docume...
The British writer and Africa specialist Michela Wrong recently wrote a whistle-stop summary of the upheavals that afflicted Congo in the early...