Police called to Philip Ridley play | reviews, news & interviews
Police called to Philip Ridley play
Police called to Philip Ridley play
Wednesday, 24 February 2010
A performance of the current London revival of Philip Ridley’s play Mercury Fur was almost stopped by a police raid.
Police were ready to storm the stage last night following a 999 call made by a distressed resident living next door to Theatre Delicatessen’s latest pop-up theatre space, who believed that the production’s violent scenes in a disused office block were being played out for real.
Only the quick thinking of actors waiting off stage, and the intervention of Theatre Delicatessen’s producer, prevented the police bringing the performance to an abrupt end.
Featuring child-killings, horrific stories of murder and mutilation, and a torture scene involving a meat hook, the play is not for the faint-hearted.
Director Frances Loy commented, “The play explores how far people will go for the ones they love, and all the violence in the play is taken from events that happen all over the world. Combined with the claustrophobic setting, where the audience is literally part of the action, I’m not surprised audiences are reacting so emotionally. It’s a play that asks some very difficult questions about human nature.”
More information from Theatre Delicatessen's producer Jessica Brewster: jessica@theatredelicatessen.co.uk
Read The Arts Desk review
Police were ready to storm the stage last night following a 999 call made by a distressed resident living next door to Theatre Delicatessen’s latest pop-up theatre space, who believed that the production’s violent scenes in a disused office block were being played out for real.
Only the quick thinking of actors waiting off stage, and the intervention of Theatre Delicatessen’s producer, prevented the police bringing the performance to an abrupt end.
Featuring child-killings, horrific stories of murder and mutilation, and a torture scene involving a meat hook, the play is not for the faint-hearted.
Director Frances Loy commented, “The play explores how far people will go for the ones they love, and all the violence in the play is taken from events that happen all over the world. Combined with the claustrophobic setting, where the audience is literally part of the action, I’m not surprised audiences are reacting so emotionally. It’s a play that asks some very difficult questions about human nature.”
More information from Theatre Delicatessen's producer Jessica Brewster: jessica@theatredelicatessen.co.uk
Read The Arts Desk review
A performance of the current London revival of Philip Ridley’s play Mercury Fur was almost stopped by a police raid.
Police were ready to storm the stage last night following a 999 call made by a distressed resident living next door to Theatre Delicatessen’s latest pop-up theatre space, who believed that the production’s violent scenes in a disused office block were being played out for real.
Only the quick thinking of actors waiting off stage, and the intervention of Theatre Delicatessen’s producer, prevented the police bringing the performance to an abrupt end.
Featuring child-killings, horrific stories of murder and mutilation, and a torture scene involving a meat hook, the play is not for the faint-hearted.
Director Frances Loy commented, “The play explores how far people will go for the ones they love, and all the violence in the play is taken from events that happen all over the world. Combined with the claustrophobic setting, where the audience is literally part of the action, I’m not surprised audiences are reacting so emotionally. It’s a play that asks some very difficult questions about human nature.”
More information from Theatre Delicatessen's producer Jessica Brewster: jessica@theatredelicatessen.co.uk
Read The Arts Desk review
Police were ready to storm the stage last night following a 999 call made by a distressed resident living next door to Theatre Delicatessen’s latest pop-up theatre space, who believed that the production’s violent scenes in a disused office block were being played out for real.
Only the quick thinking of actors waiting off stage, and the intervention of Theatre Delicatessen’s producer, prevented the police bringing the performance to an abrupt end.
Featuring child-killings, horrific stories of murder and mutilation, and a torture scene involving a meat hook, the play is not for the faint-hearted.
Director Frances Loy commented, “The play explores how far people will go for the ones they love, and all the violence in the play is taken from events that happen all over the world. Combined with the claustrophobic setting, where the audience is literally part of the action, I’m not surprised audiences are reacting so emotionally. It’s a play that asks some very difficult questions about human nature.”
More information from Theatre Delicatessen's producer Jessica Brewster: jessica@theatredelicatessen.co.uk
Read The Arts Desk review
Add comment
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more
Help to give theartsdesk a future!
Support our GoFundMe appeal
Albums of the Year: Beth Gibbons - Lives Outgrown
Mature songs for trying times
Gavin & Stacey: The Finale, BBC One review - hilarious high five to an indelible cast of characters
In Nessa, Ruth Jones has left behind a unique comic creation
Best of 2024: Opera
Comedy takes gold over a year rich in standout performance
Jamie Foxx, Netflix Special review - doctors and divine intervention
Comic discusses his recovery from a stroke
Best of 2024: Theatre
The classics were reclaimed afresh, and the acting more often than not astonished
Albums of the Year 2024: Taylor Swift - The Tortured Poets Department: The Anthology
A casual masterpiece that keeps getting better
Best of 2024: Film
theartsdesk's movie critics pick their favourites from the last 12 months
Best of 2024: Blu-ray
The pick of the year's releases: films spanning decades, continents and genres
Albums of the Year 2024: Katherine Priddy - The Pendulum Swing
One of the great British folk-acoustic albums of the decade
10 Questions for Mark Gatiss, writer-director of 'A Ghost Story for Christmas: Woman of Stone'
Gatiss explains why his eerie tale begins with its original Victorian-Edwardian author Edith Nesbit
All Creatures Great and Small, Christmas Special, Channel 5 review - Mrs Hall steps into the spotlight
Everyday saga of Yorkshire vets does exactly what it says on the tin
Comments
...