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Programme notes for Mahler’s monumental symphonies will often...

Claire Denis’ 1988 debut is a sensual madeleine to her Cameroonian childhood, with its taste of termites on butter, birdsong and insect chitter...

If there’s a feeling of déjà vu, it isn’t detectable. Conchúr White played St Pancras Old Church in April 2016 with County Armagh’s Silences, the...

Glance at The Holdovers’ synopsis and you might suspect that...

Director Cesar Diaz’s debut feature film was...

Rhod Gilbert is disarmingly honest about his thought process when he received his diagnosis of head and neck cancer in 2022. Following quickly...

It’s been a long while since Beth Gibbons released an album. Portishead’s Third was out in 2008. She has lived through so many...

By midway, things are cooking. “Can U Dig It?”, a post-modern list-song from another age (Ok,...

$Refracted light: the Britten Sinfonia gives the European premiere of Lisa Illean's arcing, stilling, bending, gathering$ Britten Sinfonia, The Marian Consort, Milton Court review -...

Gesualdo was, in the words of New Yorker critic Alex Ross – “irrefutably badass”, a double murderer, sado-masochist and black magic enthusiast who...

The name, Caron and Michelle Maso explained to Los Angeles radio DJ Rodney Bingenheimer, was a literal description. “We’re both like five feet. We...