dance
The Unknown Soldier, Infra, Symphony in C, Royal Ballet, review - WWI ballet honours obscure tragedyWednesday, 21 November 2018
Pity fatigue is a risk for any artwork marking the anniversary of the 1918 Armistice. There can’t have been a man or woman in the Royal Opera House on Tuesday night who hadn’t already read, watched, or otherwise had their fill of the horrors of the Western Front and the never-ending debate over the futility of it all. Read more... |
The Sleeping Beauty, London Coliseum review - a triumph for English National BalletThursday, 07 June 2018
When Tamara Rojo won the top job at English National Ballet in 2012, it looked like a poisoned chalice. Directors had come and gone, some of them with visionary ideas, but all were defeated by the company’s peculiar position as underdog to the company at Covent Garden. Read more... |
Swan Lake, Royal Ballet review - beautiful, heartfeltSaturday, 19 May 2018
A new Swan Lake at the Royal Ballet is a once-in-a-generation event. Read more... |
Elizabeth, Barbican review - royal romance under scrutinyThursday, 17 May 2018
Everyone knows that Elizabeth I was a monarch of deep intelligence and sharp wit. Fewer know how good she was at the galliard. This was a virile, proud, demandingly athletic dance, usually performed by the men at courtly gatherings, and the fact that the Queen of England so enthusiastically flouted convention in this way says a lot about her. Read more... |
Unbound: A Festival of New Works, War Memorial Opera House, San Francisco review - ballet invests in its futureMonday, 14 May 2018
You have to hand it to the Americans: they think big. Where the Royal Ballet or ENB might put on three or four new works in the course of a season – because commissions are wildly expensive and a box office risk – San Francisco Ballet has just presented a dozen in the space of two weeks. What’s more, the 12 invited choreographers – four of them Brits or British trained – were given virtually carte blanche to create whatever they liked. Read more... |
Formosa, Cloud Gate Dance Theatre of Taiwan, Sadler’s Wells review - perfect in every detailFriday, 11 May 2018
Whatever you do in the next couple of days, be sure to grab a ticket for this wonderfully atmospheric production. A glorious fusion of athletic dance, creative visuals and intoxicating sound, the piece pays tribute to the island of Taiwan, named Formosa ("beautiful") by Portuguese sailors in the 16th century, and home to Cloud Gate Dance Theatre. Read more... |
Hofesh Shechter Company: Grand Finale, Brighton Festival review - politics, percussion and powerful choreographyTuesday, 08 May 2018
There is a sense of loyalty from the Brighton audience awaiting Hofesh Shechter’s new work. Read more... |
Ballet's Dark Knight - Sir Kenneth MacMillan, BBC Four review – hagiography and home videosMonday, 07 May 2018
If you came to this programme knowing nothing about the choreographer Kenneth MacMillan, you may have learned a few things. That he died, tragically and rather dramatically, of a massive heart attack during a first night performance of one his own ballets. That he was "interested" in sex and death, and frequently choreographed violent forms of both in his ballets. Read more... |
Obsidian Tear / Marguerite and Armand / Elite Syncopations, Royal Opera House review - an evening of high-performance mismatchMonday, 16 April 2018
One day someone will come up with an algorithm for the perfectly balanced triple bill. Until then ballet directors will have to make do with hit or miss. The Royal Ballet’s latest three-part offering would appear to tick the boxes: something old, something new-ish, and something just for fun. Read more... |
Voices of America, English National Ballet review - a punchy programme of contemporary balletSaturday, 14 April 2018
A new William Forsythe ballet is quite a coup for English National Ballet; the choreographer hasn't made a piece in Britain in 20 years. Read more... |
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