dance
The Snow Queen, English National Ballet, London ColiseumFriday, 08 January 2010
If your heart feels frozen while the ice glitters outside, warm it by reading Hans Christian Andersen's sharp, witty and enchanting fairy-tale The Snow Queen, or listen to the best bits of Prokofiev's erratic but often characteristic late ballet The Stone Flower. You could also drag yourself out into the cold to face Michael Corder's full-length choreography based on the Andersen story, selectively fitted to chunks of the Prokofiev score and interspersing them with other... Read more... |
Dance 2000-9: From Ballet to Hip HopThursday, 31 December 2009
The Noughts were a bonanza time for builders, scientists and bureaucrats in the dance arena, throwing up numerous fine dance venues and bases, collaborating intellectually with modern choreographers, or targeting social minorities, but the blazing new trend that captured public imagination dodged all of those - it came up from the street. Read more... |
The Royal Ballet in Cuba, More4 / The Rite of Spring, BBC ThreeSaturday, 26 December 2009
There were some odd sights in Christmas Day viewing but none more discomfiting, I’d bet, than seeing a ballerina lying on a physio’s couch having a leg dragged quickly up to touch the side of her head while the other leg lay perfectly still pointing downwards. Can the body really do that? Another weird sight - dozens of people in full 18th-century French costume and wigs dancing in 40-degree heat on a Cuban stage. Read more... |
Matthew Bourne's Swan Lake, Sadler's WellsFriday, 18 December 2009
For a choreographer the moment your work becomes a classic is when the audience tells you that you’re casting it wrong. I’ve seen Matthew Bourne’s Swan Lake more than a dozen times for professional reasons since it first took off from Sadler’s Wells nearly 15 years ago, and it’s not Adam Cooper’s blinding image all those years ago that’s telling me the press night cast last night wasn’t delivering what the work is worth. Read more... |
Pied Piper, Barbican & Into the Hoods, QEHWednesday, 16 December 2009
Hip hop is the new ballet. Instead of mostly girls in tutus, mostly boys in tracksuits; instead of pointe-shoes, trainers; instead of arabesques and fouettés, handstands and windmills; above all, instead of nice, nasty. The smell on stage is burning rubber from the shoes; the atmosphere is electric; lights fractured; discipline razor-sharp. Read more... |
Les Patineurs & Tales of Beatrix Potter, Royal BalletTuesday, 15 December 2009
The well-prepared adult accompanying an under-10 to the Royal Ballet’s Tales of Beatrix Potter will take with them a pillow and a potty, the pillow for themselves, the potty to tuck under the seat for the necessary moment during this 70-minute marathon. Should the Stasi at Bag Search at the Opera House entrance insist on the potty being checked into the cloakroom, the canny adult carries a supersized handkerchief as backup, to stuff into the child’s wailing mouth when - 30 minutes... Read more... |
Carlos Acosta, Sadler's WellsWednesday, 02 December 2009
It‘s when you see how popstar fame can reach people with more luck than work that Carlos Acosta’s achievement in becoming a truly popular ballet star is underlined. Ballet is just the toughest discipline there is. Read more... |
Margot, BBC FourMonday, 30 November 2009
If Margot Fonteyn and Rudy Nureyev were the most massively important people who ever existed in ballet, then the most massively important question that ever existed in ballet was, did they sleep together? Last night Margot got this over pleasingly quickly. There was the quivery BBC anno at the start that there would be scenes “of a sexual nature”, and hop-skip-jump the couple were at it like rabbits straight after their first performance together. Read more... |
The Nutcracker, Birmingham Royal Ballet, Birmingham HippodromeSaturday, 28 November 2009
Peter Wright’s superlative production of The Nutcracker has returned to Birmingham Royal Ballet's repertory for Christmas, a production he created for the company in 1990 and to my mind superior to any other presented in the UK today. Magic, the awesomeness of the Tchaikovsky score, are realised upon the stage and shown in its dances with a childlike sense of fantasy. The Christmas tree rises, the rats play, the snow-goose flies - and the audience gasps. Read more... |
Akram Khan and Nitin Sawhney, Sadler's WellsFriday, 27 November 2009
Akram Khan and Nitin Sawhney are too famous to need defining in terms of racial culture, and yet they make a lot of it in the spiel about their offering Confluence, closing the two-week Svapnagata festival at Sadler’s Wells this weekend. Read more... |
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